The LGBTQ+ champion Adam Nathaniel Furman

Identity is key to the work of this queer designer, who draws from architecture and ceramics to create installations that proudly promote diversity

In the summer of 2021, a multi-coloured pyramid was erected in London’s Granary Square. Its surfaces were adorned with graphic motifs that appeared cute and playful but were, in fact, carefully compiled to reference how, across history, the area has been a place of free expression for the LGBTQ+ community. This duality epitomises the work of London-based Adam Nathaniel Furman, whose designs are underpinned by their own experiences of navigating the city as a queer person.

Furman trained in architecture before adopting a more multidisciplinary approach. Their work incorporates an unusual blend of architectural histories, particularly those that relate to marginalised communities, and a flamboyant, decorative style. ‘For a long time, people didn’t understand my work,’ they say. ‘It was seen as fun and playful but not taken seriously. Now people are finally understanding how ornament, decoration and colour can speak about identity, community and place.’

Ceramics often feature in Furman’s designs, either in the form of 3D-printed objects or as large-scale interventions covered in tiles. They have partnered with the London School of Mosaics on a 57-metre-long mosaic mural, A Thousand Streams, at London Bridge station. Referencing the station’s history as a melting pot of diverse communities, the mural is being built by amateur craft makers. ‘I like to get disadvantaged people involved,’ says Furman. ‘Public art shouldn’t be about superficial, temporary activations; it should feed a craft economy and create a lasting sense of place.’ adamnathanielfurman.com ‘People are finally understanding how ornament, decoration and colour can speak about identity, community and place’