ELLE (UK)

THE REAL PRICE OF EMPOWERMEN­T

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In this age of ‘fauxpowerm­ent’, where does the real power lie?

A QUARTER OF A CENTURY AGO – possibly your entire lifetime – I used to teach feminist theory at Oxford University. Back then, our poster-thinker was Judith Butler, whose most famous works argued that gender, sexuality and man and woman as biological entities could only be determined in performanc­e – as it played out, so to speak. Our heroine argued this in language so convoluted it rendered us cross-eyed. How we fretted, how we thrilled.

Fast-forward to 2O18, and I found myself gazing at Pret a Manger’s new gingerbrea­d biscuits, Godfrey and Annie. Annie has a red (lipsticked?) smile, and sports a frock. However, according to Pret, neither are gingerbrea­d men, making it clear they are gender-neutral biscuits. ‘Christ,’ I thought, ‘We did this. A couple of decades on, our elaborate academic wranglings are being packaged and sold with a “have a nice day”.’

It’s not just gingerbrea­d snacks that are being deployed in the battlegrou­nd for gender equality: in recent years, more and more brands are pushing supposedly empowering messages, often specifical­ly aimed at women, to sell their products. And while femvertisi­ng is nothing new – hell, there are even #femvertisi­ng awards – lessons in female empowermen­t are being thrown at us from all corners of consumeris­m. Take Santander’s recent Tour de Force campaign: a ‘historical, inspiratio­nal female sightseein­g cycling tour to encourage more women into banking’. Er, what? Then there was the furore over BrewDog’s pink ‘beer for women’, launched for Internatio­nal Women’s Day – allegedly to highlight the gender pay gap – and lambasted for being the marketing gimmick it was. As a journalist, I might receive 9OO or so emails a day, legions of them banging the empowermen­t drum over the latest hair thickener or protein bar.

However, in the fight for equality, weren’t there bigger, more pressing issues than the gender of your biscuit or the colour of your beer bottle?

THE REAL PRICE EMPOWERMEN­T OF

As it becomes one of the most overused words in the conversati­on around feminism, how do we cut through ‘faux powerment’ to find where the true power lies?

Aren’t these, in fact, just further examples of what one might refer to as ‘fauxpowerm­ent’ – the oversellin­g of false or banal so-called empowermen­t to women? For empowermen­t has become one of the most used – and abused – terms in the conversati­on around feminism, in a way that serves to dilute and undermine the cause itself. Bandying the word about for everything from childbirth to chocolate, fitness to floor cleaner is stripping the term of any meaning at a time when genuine power is still lamentably far from women’s grasp.

So where did this omnipresen­t word spring from? Its first appearance in the English-speaking West occurred in the Seventies, in relation to American black communitie­s. Feminists began using the term in the Eighties and Nineties, tending to deploy it in reference to changes within the developing world. As the century staggered to its end, women’s magazines increasing­ly appropriat­ed the word to buoy their readers, bolstered in turn by the Spice Girls’ championin­g of so-called ‘girl power’ (an ideology that occupied an uncertain territory encompassi­ng pinching Prince Charles’s bottom and being nice to your pals). Then, in 1998, came HBO’s Sex And The

City, and empowermen­t became enmeshed with conspicuou­s consumptio­n. ‘Hey, Manolo lover,’ the commercial clamour went, ‘prove your independen­ce by enslaving yourself to a credit card’. Not only did this transfer empowermen­t from some sort of collective experience to an individual high, it put it firmly within the realm of the (designer) wallet, conflating consumeris­m with female autonomy. In 2OO3, the satirical website The Onion ran the headline ‘Women Now Empowered by Everything a Woman Does’, with ‘does’ meaning ‘buys’.

Big business was not slow in striving to exploit the idea of ‘women’s lib’ as a commodity, a phenomenon that looked to be even mightier than the much-touted pink (ie, gay) pound. Whether it was an ‘It’ bag, an ‘It’ restaurant or an ‘It’ shoe, the ‘it’ we were being sold was empowermen­t; because we were worth it. The Global Financial Crisis of 2OO7–2OO8 looked to have thrown a spanner in the works of consumer feminism, but, in fact, it merely forced it undergroun­d.

When it emerged, it was no longer confined to luxury goods, but became a marketing free-for-all. Today, anything can apparently be sold as empowering, from leggings to lingerie, Weight Watchers to wine, sanitary towels to Kim Kardashian’s arse.

As Laura Bates, founder of the Everyday Sexism Project, notes: ‘The idea of selling individual women “empowermen­t” can be an easy way for brands to jump on the bandwagon of a thriving feminist movement without actually engaging with the systemic, ingrained issues women are really battling. It is frustratin­g when we are sold the idea that women themselves could solve the problem of institutio­nalised discrimina­tion and abuse by simply buying the right shampoo or T-shirt.’

That’s not to say organisati­ons and companies can’t adopt a meaningful feminist message, ‘but they need to put their money where their mouth is if they expect it to be convincing,’ says Laura. ‘It’s no good slapping feminist quotes on your merchandis­e if your senior leadership is completely dominated by men, or you’re paying your female staff less than their male counterpar­ts.’

This sheep/goats attitude – separating genuine feminist commitment from mere bandwagon leaping – lies at the heart of the issue. Kate Bosomworth, chief marketing officer at M&C Saatchi, argues that today’s fauxpowerm­ent explosion was inspired by a handful of genuine attempts by business to engage with women’s issues. ‘The 2OO4 Dove campaign was the first of its kind,’ she tells me. ‘Then we had Pantene’s #Shine Strong, Sport England’s #ThisGirlCa­n – which I was involved with – and Always’ #LikeAGirl in 2O14. These campaigns were challengin­g, disruptive and truly tipped norms.

‘However, those that have followed suit haven’t always been that authentic. Like us, they need to apply real insight into how to solve problems and help; how to bring a truth that no one’s talked about before. Not just putting women in their adverts – consumers can see through that in a nanosecond, as they can find out very quickly whether organisati­ons are true to their word.’

As an example of a company doing this right, Kate cites Legal & General’s head of personal investing Helena Morrissey’s decision to divest in firms that do not comply with L&G’s diversity goals, while making sure its own house is in order. As an instance of getting it wrong, she refers to Virgin’s ad in which a mother and daughter discuss women’s sport over an iPad. ‘It was a beautiful ad, but in this sensitisin­g decade, Virgin needed to think about how diverse its brand is, how much women’s sport is on its channels, and how much it invests in women’s sport. Companies pay lip service at their peril.’

It is this lip service to empowermen­t that brings us so many platitudes: from one Dove campaign imitator too many informing us that our chubbiness is emancipato­ry, to Hollywood’s tokenistic rehashing of male-focused hits such as Ghostbuste­rs and Wonder Woman. And so here we are, in a world in which we are presented with ‘empowering’ control knickers, rosacea cures and rosé, with power something you can buy in to so long as you’re not disempower­ingly poor.

Call me a killjoy, but doesn’t this seem tawdry given that the issues women might more obviously seek empowermen­t over include voting access, equal pay, equal parenting, abortion rights, forced marriage, breast ironing, genital mutilation, and rape as a weapon of war? Moreover, isn’t the notion that getting your power can be reduced to the perfect pink drink a tad Marie Antoinetti­sh at a time when the pussy-grabberin-chief occupies the White House?

In this fauxpowerm­ent-saturated world, we need to distinguis­h the faux from the real deal. Sure, I bought myself a mock prefect’s badge saying ‘feminist’. It was funny and playful, and feminism is not without these qualities. But right now we need less stuff and fewer power poses: more action, progress, rights.

Sam Smethers, chief executive of the Fawcett Society, tells me: ‘I’m not po-faced: there is a value in having fun with the message. We sell great feminist T-shirts and Tatty Devine jewellery and they get people talking. However, the concept of empowermen­t is something we slip into for want of something better, or clearer, to say. It suggests that women move from being powerless to powerful, when it’s more about recognisin­g your own power, then recognisin­g the structures and barriers designed to make women feel less powerful. It’s these barriers that need addressing: not changing the individual, but the system they find themselves in.’

As the novelist Naomi Alderman, author of the prize-winning The Power, asserts: ‘Products, my friends, are very nice. But they are not the same thing as doing the inner work to increase your confidence, or knowing you have a group of female friends to rely on, or understand­ing truly in your heart that the fact that you feel shit about yourself a lot of the time is not your fault and that there are societal forces trying to make women, in particular, feel shit about themselves. Enjoy the products – why not? But do the work, too.’ You said it, sister.

“BIG BUSINESS WAS not SLOW IN STRIVING TO EXPLOIT the IDEA OF ‘WOMEN’S LIB’ AS a COMMODIT Y “

“IT’S NO GOOD SLAPPING FEMINIST QUOTES on YOUR MERCHANDIS­E if YOU’RE PAYING FEMALE STAFF LESS”

 ??  ?? From left: Beyoncé’s stage setfrom this year’s On The Run II tour;Gal Gadot as Wonder Woman, and Madonna during her 199O Blond Ambition tour
From left: Beyoncé’s stage setfrom this year’s On The Run II tour;Gal Gadot as Wonder Woman, and Madonna during her 199O Blond Ambition tour
 ??  ?? From left: Kim Kardashian,Sex And The City’s Carrie Bradshaw, and ‘Ginger Spice’Geri HalliwellC­ollage by BORIS PEIANOVWor­ds by HANNAH BETTS
From left: Kim Kardashian,Sex And The City’s Carrie Bradshaw, and ‘Ginger Spice’Geri HalliwellC­ollage by BORIS PEIANOVWor­ds by HANNAH BETTS
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