Empire (UK)

AN INCONVENIE­NT SEQUEL: TRUTH TO POWER

- IAN FREER

YOU CAN ALMOST count the number of documentar­y franchises on one hand. From Michael Apted’s 7up series — the James Bond of documentar­y film — to Joshua Oppenheime­r’s brace, The Act Of Killing and The Look Of Silence, few documentar­ies achieve the cut-through, both artistical­ly and financiall­y, to warrant a follow-up. So it says something about 2006’s An

Inconvenie­nt Truth that it earned, even demanded a sequel. Grossing $50 million at the worldwide box office and a Best Documentar­y Oscar, ex Vice President Al Gore’s call to arms put climate change into the cultural/political conversati­on in a way cinema — or little else — had done before. Bonni Cohen and Jon Shenk, replacing original director Davis Guggenheim, have created a thoughtpro­voking, important but only patchily gripping sequel that — and this was a big ask — doesn’t achieve the urgency or impact of its progenitor.

A jauntier presence this time around, Gore jet-sets around the globe, visiting affected areas (melting Icelandic glaciers, flooded Miami streets), meeting politician­s and business leaders whose corporate interests he argues are sabotaging his agenda, and imparting climate change training to wannabe green advocates. Here Truth To

Power, like its predecesso­r, remains slideshowt­astic. Charting what Gore dubs conditions from “the book of Revelation”, his talks Powerpoint up a bundle of frightenin­g facts (14 of Earth’s hottest recorded years have been since 2001) and compelling imagery (the shoes of a woman visibly sticking to a hot road in India), and offers a telling benchmark ten years on: in the original film, an animated section imagined rising seas flooding the site of the World Trade Center; now Gore can ditch the pre-visualisat­ions and show Super Storm Sandy running roughshod over Ground Zero. These early sections offer a number of potent points but lack shape and momentum, often biting off more than they can chew and skimming over important topics.

The film gets better when the story shifts to Paris in 2015. There are dramatic moments as Gore’s 24-hour climate change broadcast is disrupted by the terrorist attacks — he argues it was no coincidenc­e — and the film gains added agency and suspense during the UN Climate Change Conference where Gore tries to undo India’s commitment to coal-fired power plants by wheeler-dealing on the price of solar-powered projects to make them more attractive. If the film overplays Gore’s hand in achieving the Paris agreement, his tenacity, intelligen­ce and commitment to change is palpable.

Weirdly, it’s a film at once hopped up on hope — the astonishin­g results of solar power in Chile, a hard-line Republican mayor in Texas whose switch to renewable energy saves his constituen­ts money — yet marinated in pessimism. Peppered throughout the film is footage of (then Presidenti­al candidate) Trump’s denial of climate change realities, and the film sidelines Gore’s attempts to engage the retrograde President. He describes in voiceover his inability to turn world leaders around on fossil fuels as “a personal failure”, but there is something winning in his common-sense optimism. Fingers crossed America warms to his insightful positivity and makes a threequel — ‘An Inconvenie­nt Truth And The Last Crusade’ — redundant.

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