Empire (UK)

The hate u give

- jimi famurewa

director George Tillman Jr cast Amandla Stenberg, Algee Smith, Issa Rae, Russell Hornsby, Anthony Mackie

Plot Teenage Starr (Stenberg) lives a dual life appeasing both her local black friends and the privileged white kids at her private school. But when one friend becomes a victim of police brutality, she has a political awakening, angers a local kingpin and begins to question who she really is. Historical­ly, young adult blockbuste­r successes have been famed for the unexpected darkness of their subject matter, whether it’s the dystopian ritual slaughter of The Hunger Games or the, um, dystopian ritual slaughter of The Maze Runner. But, generally, these stories play out in speculativ­e sci-fi futures or worlds touched by fantasy and magic. there’s no such protective distance in The Hate U Give. and it only serves to amplify the effect of a genuinely dark, stunningly bold and utterly vital look at race relations in modern america.

Based on us first-time author angie thomas’s 2017 bestseller (which, in a nod to the urgency of its themes, has gone from page to screen in just over 18 months), the core story is an impressive­ly deft melding of the personal and the political. starr carter (stenberg from, funnily enough, The Hunger Games) is a black teenager who, as her narration tells us, has grown adept at oscillatin­g between two selves; the street-smart character she shows her black friends in her garden Heights neighbourh­ood and the peppy, meek girl she plays for the benefit of white private school pals who won’t accept her if she acts “too ghetto”.

there’s a thinkpiece-ready bluntness to these establishi­ng scenes, as they introduce us to starr’s family, her white boyfriend (KJ apa) and the subtle prejudice in her white friends’ repeated attempts to be “street”. But an able cast (including The Deuce’s dominique Fishback as starr’s wayward garden Heights friend) help keep things bouncing along. and the lightness of these early moments increases the impact when — as he drives her home from a party — starr’s childhood friend Khalil (smith) is shot by a policeman during a traffic stop.

it’s here that The Hate U Give truly impresses with its unflinchin­g power and admirable complexity. director george tillman Jr (Notorious) renders both the shooting and starr’s ensuing grief with an unvarnishe­d rawness. What’s more, as starr’s status as a sole witness leaves her alienated from her school friends (and brings the attention of both issa rae’s Black lives Matter activist and anthony Mackie’s menacing local druglord), the film forgoes easy answers about assimilati­on and the different forms racism can take. at each turn, stenberg is utterly magnetic, able to nimbly hop from sitcom lightness to wrenching emotion. russell Hornsby, as starr’s reformed gangbanger dad, is similarly commanding.

yes, it has an occasional tendency to over-egg some of its messages (see the little boys having a thematical­ly expedient gun fight during Khalil’s memorial ceremony) and there’s some daftness during the riot-set finale. But this is a scintillat­ing, angry roar of a film that rewires the possibilit­ies of what a teen movie can say and do.

Verdict a sophistica­ted adaptation of a hugely important book that adeptly handles its daunting themes, and provides a platform for a star-making performanc­e from amandla Stenberg.

 ??  ?? Hands up who’s a star in the making.
Hands up who’s a star in the making.

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