Empire (UK)

No./4 The ten decades of Carl Reiner

[IN MEMORIAM]

- IAN NATHAN

The comedian, writer and director has died, aged 98. We pick one highlight from each decade of an incredible life 1920s

As a Jewish boy raised in the Bronx, New York, Reiner’s comedy career started early: he pretended to read prayers at synagogue, in what he called “double-talk Hebrew” — essentiall­y, gibberish. “I was then, and still am, a Hebrew illiterate,” he wrote in the 2013 memoir I Remember Me.

1930s

As a young actor embarking on the abundant agonies of auditionin­g, Reiner botched one such effort by boldly delivering the stage directions as if they were dialogue (at least, according to Reiner’s autobiogra­phical-ish 1958 novel, Enter Laughing).

1940s

During World War II, Reiner talked his way into the Special Services at a production of Hamlet and toured revues in the South Pacific; as he later recounted on the Conan O’brien show, troops would throw papayas if they didn’t like the act.

1950s

Reiner met fellow Jewish comedian Mel Brooks (below, with Reiner in 1966) while both worked on Sid Caesar’s Your Show Of Shows — the start of a 70-year friendship. “I thought, ‘Who is this guy?’” Reiner recalled to The Guardian of their first meeting. “This guy is the funniest single human being on the planet.”

1960s

Reiner often found his muse in the mirror. The Dick Van Dyke Show replays his life as a television writer, only to become a sensation after they recast the lead. It was the perfect joke — Reiner miscast as himself.

1970s

Graduating into a Hollywood player, Reiner directed Oh, God!, which had George Burns as a cigarchomp­ing deity on Earth — a typically subversive act from a devout atheist. “It’s hard for me to believe in God after the Holocaust,” Reiner snarked. “He’s either not listening or he’s very busy making flowers.”

1980s

Nurturing Steve Martin’s antic gifts across a quartet of hits, he was the foil behind the camera — most brilliantl­y in shadow-kissed noir parody Dead Men Don’t Wear Plaid. Reiner’s East Coast disdain for Hollywood frippery is in full swing — Martin ‘shares’ scenes with cinematic royalty, using archive footage.

1990s

Thirty-seven years after Enter Laughing, Reiner wrote an autofictio­n sequel. Continue Laughing picks up where the last book left off, following a Reiner-esque aspiring actor touring the Deep South with a theatre company — a “Jew from the North” in “the land of the Gentiles... Catholics, blondes, and crucifixes everywhere”.

2000s

Weary of being behind the camera, Reiner stole the Ocean’s series as slippery old goat Saul Bloom. He got the role days before filming started, after producer Jerry Weintraub (his former colleague from Oh, God!) called him up.

2010s

Reiner became a prolific nonagenari­an tweeter. “I cannot go to bed unless I do an anti-trump tweet,” Reiner once said. His Twitter account was a mix of righteous furies and touching wisdom; three days before his death, he writes: “Nothing pleases me more than knowing that I have lived the best life possible.”

 ??  ??
 ??  ??
 ??  ??

Newspapers in English

Newspapers from United Kingdom