Evening Standard - ES Magazine

TIMELESS CLASSICS

Antiques expert Cassandra Cunningham of Almásy gives us a history lesson

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Having spent eight years in the antiques game, Cassandra Cunningham, 35 — with bases in both Hoxton and Nayland, Suffolk — finds it hard to think about period when she buys a piece. However, there are a couple of classics she finds herself drawn to again and again, which we should train our eyes to look out for.

The first is early 19th-century British upholstery. ‘If you find a really well-designed piece, we did it best. All the best makers came from England,’ she extols. ‘I always think about the upholstery I want in a room and work around that. It can be done in a modern way, but really add elegance to a room. I like hand-dyed linen. Someone else might like African print, or velvet. You can really add a contempora­ry feel with the fabric you use.’

The second addition is an 18th-century Maltese commode (the cabinet kind, not the hidden toilet!). ‘If you had something with a serpentine (curved) front, it adds volume to a straight wall. I like pieces with interestin­g timber, like lime wood — things you don’t find very often.’

And as a final touch, Cunningham loves mounting large-scale textiles. ‘You’ve got a piece of artwork, for not much expenditur­e, which is a fantastic way to add colour and texture. You can go from 18th to 20th century: African textiles are great, I’ve just bought a Ewe greens and pinks geometric pattern and I love that, but then I also recently found an amazing Uzbek ikat.’

With Brexit radically changing our ability to import, Cunningham suggests a tour of Instagram rather than a tour of the world when scouting for furnishing­s. ‘It’s supposed to be fun decorating your house and people don’t see the aggravatio­n in the background of sourcing things.’ Also great is acquaintin­g yourself with your local auction house. ‘The decision-making process is key — go before you buy something to feel comfortabl­e. It’s having the ability to not buy something that you need to work on.’

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