Evening Standard

Skinner’s stylistic shake-up as he heads up a new street

- David Smyth

RAP The Streets None of Us Are Getting Out of This Life Alive

Island

★★★✩✩

AS HE returns with his first Streets collection since 2011, the roundedvow­el rapping of Mike Skinner sounds rather less startling than it did when he emerged at the start of the Noughties, mixing Brummie observatio­ns with pirate radio beats. Slowthai and Sleaford Mods have both proved that a Midlands accent is still no barrier to musical success.

Meanwhile, Niko B’s Who’s That What’s That, a current chart hit about taking the gherkins out of a Big Mac, revels in the mundane in a similar way to Skinner at his peak.

Now he’s a father of two in his forties Skinner’s likely to hit the youth culture references with less precision. He takes the pressure off by calling these 12 tracks a mixtape, not an official album, and by sharing vocals with newer acts on every song. It’s an eclectic line-up, with Kevin Parker of Tame Impala providing a dreamy chorus on Call My Phone Thinking I’m Doing Nothing Better, and Idles frontman Joe Talbot hollering over the intimidati­ng bass of the title track. Ms Banks is on showstoppi­ng form, announcing on You Can’t Afford Me: “I’m from M&S, babes/You got a better chance at Lidl’s.”

Stylistica­lly it’s all over the place. The rubbery UK funky track I Wish You Loved You as Much as You Love Him is much more enjoyable than the moody piano of Conspiracy Theory Freestyle, on which Skinner’s rhyming sounds particular­ly rudimentar­y. Not everything here is a great fit, but if you liked him then, at least a few songs will appeal here too.

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