Evo

ASTON MARTIN VICTOR

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Based on a One-77, but styled as an homage to Aston’s ’70s and ’80s bruisers, the Victor is a truly bespoke, one-off hypercar like no other. Richard Meaden gets behind its yoke

VICTOR

ONE-OF-ONE. WHEN IT COMES TO collector cars, there’s no greater statement than a true one-off commission. And when it comes to true one-offs, few if any can compete with the sensationa­l Aston Martin Victor. A celebratio­n of the Vantage nameplate’s 70th anniversar­y and styled to evoke the bruising Vantage flagships of the 1970s and ’80s, Victor is both a glorious throwback and a contempora­ry hypercar. Best of all, there’s quite literally nothing else like it. We’ve grown used to Aston’s ability to create very special cars for very wealthy clients, but even projects such as the recent Vantage V600 (tested in evo 274) evolved from the vision of an individual into a very limited run – primarily to amortise the prodigious cost of designing, engineerin­g, building and developing a unique car.

No such compromise for the owner of Victor, who was prepared to bear the full brunt of the cost in order for it to be a true unicorn. Quite how much they’ve spent remains confidenti­al, but it wouldn’t surprise us if the number is somewhere near the £5million mark, or maybe even more. Like all money-no-object projects, it’s a mind-blowing sum, but as Ferris Bueller once said, ‘You can never go too far.’

Few marques have the appetite or in-house skillset to fulfil this type of commission, but not only were Aston’s design and Special Vehicle Operations department­s very much up for the challenge, but past projects gave them an enviable parts bin to rummage in. Carbon chassis? Check! Mighty, naturally aspirated V12 engine? Check! Trackhoned suspension and braking systems? Check-check! Consequent­ly the Victor is a glorious mash-up of major One-77 and Vulcan components, with a ton of bespoke work on top to create the exterior and interior.

Of all Aston’s special-series cars, the One-77 remains the greatest enigma. This is largely due to a policy of not letting the motoring media drive it, but also because it was a difficult car to pigeonhole thanks to the juxtaposit­ion of its couture styling and rampant, Cosworth-developed V12. Not to mention the Automated Sequential Manual transmissi­on that fell awkwardly between the purity and engagement of a traditiona­l manual and the immediacy of the best paddleshif­t ’boxes. By contrast, the track-only Vulcan – which was itself an extreme evolution of the One-77 – was better resolved for its intended purpose, more accessible to the media and more clearly understood by all of us as a result.

The Victor is built around a One-77. That’s to say the carbonfibr­e Multimatic-built tub, the rear end, 7.3-litre engine and six-speed transmissi­on. Starting life as a One-77 means the Victor has the identity of a road-legal car – something the owner was insistent upon – and is already fitted with items such as E-marked glass, which would be ferociousl­y costly and time-consuming to make and certify for a one-off car. Other smart adoptions of existing components include the use of Valkyrie tail-lights.

For Victor the One-77’s V12 has benefited from extensive reworking by original builders Cosworth. Now developing 836bhp and 599lb ft – up from 750bhp and 553lb ft – the Victor is the most powerful naturally aspirated Aston Martin we’ve yet driven. Aston also retained the One-77’s six-speed Graziano transmissi­on but, instead of sticking with the ASM version, the gearbox has been ‘manualised’ by removing the automated paddleshif­t system.

Aston then got more creative with the inboard suspension and carbon braking systems developed for the Vulcan. Likewise, the Victor features Vulcan-style side-exit exhausts, rather than the rear-exit system fitted to the One-77, to allow for a more extensive and effective rear diffuser. Together with the lantern-jawed front splitter this means the Victor’s upper body surfaces (which are all carbonfibr­e) can remain clean, in the spirit of those ’70s Vantages. The final flourish is the exaggerate­d and frankly wonderful upswept boot spoiler.

The interior is very special indeed, mixing the modern race car vibe of the Vulcan with the bespoke, crafted feel of an old-school Aston. As you’d expect, there’s lots of exposed carbonfibr­e, especially in the footwells, where the high-gloss tub is there for all to see and admire. There’s also acres of lovely supple leather wrapping the seats and ridiculous­ly deep dashboard, which extends for what seems like a good metre ahead of you towards the base of the vast windscreen. However, the highlight for me is the solid ‘crown-cut’ walnut, which has a beautiful oiled finish and looks absolutely fantastic. Especially when used to form the round and wonderfull­y tactile gearknob.

The whole project reeks of the kind of design and engineerin­g adventure few can hope to experience in their careers. That is unless you’re Amerpal Singh, not just lead vehicle engineer on Victor, but also on the V12 Speedster and DBS Zagato. Before working at Aston he was at Jaguar working on the Project 8. Special projects are his bread and butter, but even he’s somewhat smitten by Victor.

‘It’s pretty epic!’ he beams, before continuing in more engineer-y terms. ‘The Victor project had already been started when I joined AML from JLR, but only so far as refining the customer’s vision, which was for a more focused One-77 with a manual transmissi­on and a look that captured the ’70s Vantage. I came on board when the engineerin­g began. Of course it’s a big challenge, but the beauty with these customer commission­s is you’ve got that singular vision. We quickly establishe­d it would be based upon a One-77 tub, engine and transmissi­on [albeit evolved and adapted] but use the Vulcan suspension system and brakes. So it actually refines very quickly what the car should be, which means there’s nothing done by committee.’

Perhaps the only conformist aspect of the Victor is its name. The latest in Aston Martin’s long-establishe­d ‘V car’ naming protocol, the Victor moniker doesn’t pack the punch of Vantage, Vanquish or Vulcan. Especially if you’re old enough to remember the boxy ’70s Vauxhall saloon, or had a great uncle Victor. Better to make the link to the Cold

War strategic bomber designed to drop A-bombs on the commies, or the former chairman of Aston Martin, the ebullient Victor Gauntlett.

Funnily enough, AML used a rather more evocative internal codename for the car during its developmen­t: Muncher. This was borrowed from a remarkable privateer Aston Martin, the RHAM 1, which was owned and run by Robin Hamilton. The original Muncher raced at Le Mans in 1977 (where it finished 17th overall and 3rd in class) and again in 1979, this time sporting an outlandish aerokit and a twin-turbocharg­ed V8 boasting very similar power to the Victor.

This later iteration was a valiant failure, retiring after less than three hours due to engine woes, but both versions of the car attained cult status amongst race fans and Aston Martin enthusiast­s. As for its nickname? Well, that was given to it by Hamilton and his team on account of its voracious appetite for brake discs! Different times for sure, but it’s rather wonderful that something of The Muncher’s maverick spirit lives on in another glorious one-off Aston project.

Unsurprisi­ngly, it’s quite a moment when you finally get to drive the

‘AS YOU’D HOPE, THE ENGINE IS AN ABSOLUTE FORCE OF NATURE’

Victor. I’ve been fortunate to get behind the wheel of many extremely valuable cars over the years. There’s a certain responsibi­lity, but I’ve always managed to calm myself by silently repeating ‘It’s just a car’ in my head. In Victor, my mental mantra is ‘the only one’. If there’s a car you don’t want to damage, it is this.

Like so many Astons before it, you enter the Victor having pulled on the flush-fit ‘lollypop’ door handle. The door itself swings light on its strut-assisted arc, leaving the wide sill (containing the exhaust pipe through which the left bank of the V12 exhales) to navigate before dropping down into the low seat.

Settle yourself into the Forest Green leather, press the Engine Start button on the steering wheel, and after a short, frantic spin of the starter motor the raucous V12 fires into life. The noise isn’t ear-splitting, but it has the immersive nature of the best surround-sound systems, deep bass notes mixed with the brittle timbre of a dozen pistons busily scurrying up and down within their bores. Unlike in the Vulcan there’s no clatter and chatter of a straight-cut racing transmissi­on, nor the sharp hiss and crack of a pneumatic shifter. It’s noisier than mainstream exotics, but remains a very tolerable place to find yourself.

Weirdly my right fingers instinctiv­ely reach for a paddle with which to select first gear. Pretty dumb, I know, but it shows how we’re becoming conditione­d not to expect a manual gearbox. Mildly embarrasse­d at my gaff, I depress the clutch (weighty, but not a calf-buster) and palm the lovely ball of machined walnut across the gate. The clutch is far easier than I’m expecting, at least so long as you resist the temptation to introduce too many revs and instead feed the clutch in with a minimum of fuss. It might be a dying art, but shifting gears manually will always be an integral part of the definitive driving experience, even the bit where you pray you won’t stall the car in front of a crowd.

The yoke-like steering ‘wheel’ is a fine piece of sculpture and feels great in your hands, initially at least: anything over half a turn of lock feels a bit awkward, if only because when you get to three-quarters of a turn you’re either reaching for the flat bottom, or pushing the wheel round using the tip of the yoke. Either way it focuses you on how little lock there is to play with, and confirms that if you’re exploring the outer reaches of the rack you’re either doing a three-point turn or in the middle of a spin.

Both steering and gearshift require a proper amount of effort, at least in the context of other 21st century hypercars. The steering weight is the bigger surprise, but the heft is welcome and entirely appropriat­e given the look and character of the Victor. You also need to apply significan­t pedal pressure on the carbon brakes (380mm front, 360mm rear), but the overall effort levels are nicely matched to the resulting response, so the effect is one of satisfying physicalit­y.

As you’d hope, the engine is an absolute force of nature. There’s terrific throttle response and an ever-swelling sense of propulsion, with plenty of torque and a feral appetite for revs. Very few cars can match it for drama, with the process of wringing it out through the gears leaving your mouth dry and your palms moist. Aston hasn’t released any performanc­e figures, nor an official kerb weight, but if

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 ??  ?? Left and above: unique bodyshell was designed to summon up the feeling of the classic Aston V8s of the ’70s and ’80s but turned right up to 11
Left and above: unique bodyshell was designed to summon up the feeling of the classic Aston V8s of the ’70s and ’80s but turned right up to 11
 ??  ?? Opposite page, clockwise from bottom: Victor blitzes the short straights of Silverston­e’s Stowe circuit; Cosworth managed to squeeze even more power and torque from the One-77’s epic naturally aspirated V12, peak power rising to a staggering 836bhp; side-exit exhausts not only look cool but allow for a much cleaner rear venturi; steering ‘yoke’ not terribly practical should you find yourself needing more than half a turn of lock
Opposite page, clockwise from bottom: Victor blitzes the short straights of Silverston­e’s Stowe circuit; Cosworth managed to squeeze even more power and torque from the One-77’s epic naturally aspirated V12, peak power rising to a staggering 836bhp; side-exit exhausts not only look cool but allow for a much cleaner rear venturi; steering ‘yoke’ not terribly practical should you find yourself needing more than half a turn of lock
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