BBC Science Focus

FASTER THAN THE SPEED OF SOUND

- WORDS: ANDREW MAY

NASA is designing a quiet supersonic plane that swaps the earsplitti­ng sonic boom for a ‘sonic thump’.

CONCORDE FLEW FROM LONDON TO NEW YORK IN THREE AND A HALF HOURS. IT SOARED AT NEARLY TWICE THE SPEED OF SOUND, LEAVING AN ALMIGHTY SONIC BOOM IN ITS WAKE. THE NOISE RESTRICTED WHERE IT COULD FLY, BUT NOW NASA HOPES IT CAN RESURRECT FASTER-THAN-SOUND TRAVEL, WITH QUIET SUPERSONIC FLIGHT

NASA, perhaps best known for its spacecraft, also has pretty sizeable fleet of aircraft under its belt. It has a venerable tradition of X-planes, where ‘X’ stands for experiment­al. It started back in 1946 with the X-1, which became the first aircraft to travel faster than sound. Three-quarters of a century on, its new plane, the X-59, also aims to break the sound barrier – but this time it’s going to do it quietly.

The speed of sound has always caused headaches for aircraft designers. The reason lies in the nature of sound itself. When anything from a handclap to a rocket disturbs the air, it causes pressure changes that spread out like a wave. The speed of this wave depends on the properties of the air, but under normal conditions it’s around 1,200km/h (750mph).

“All aircraft change the pressure in the air around them as they fly,” explains Peter Coen of NASA’s Langley Research Center. The consequenc­es depend on whether the aircraft is flying slower or faster than the sound it produces. “In a typical subsonic aircraft, the pressure changes are gradual, [so] air molecules ahead of the aircraft sense the pressure change before the aircraft reaches them,” Coen continues. “But if an airplane flies faster than sound, the molecules upstream don’t know that it is coming.”

From the point of view of those molecules, all the sound waves the aircraft has been pushing ahead of it arrive at once. “The pressure changes happen instantane­ously in what is called a shock wave,” Coen says. “A shock wave, from the nose of the aircraft for example, travels outward in all directions and merges with other shocks, from the wings or cockpit window... The result of this is two large, distinct shock waves that we hear on the ground as the two booms of a sonic boom.”

“IF AN AIRPLANE FLIES FASTER THAN SOUND, THE MOLECULES UPSTREAM DON’T KNOW THAT IT IS COMING”

While we may only hear the sonic boom briefly, it’s actually produced continuous­ly for as long as the aircraft is supersonic. People at different points under the flight path will hear it at different times – and when they do, they’ll all jump out of their skin in surprise. That’s why, back in the 1970s, the United States and many other countries imposed an almost complete ban on supersonic flight over their territorie­s.

This situation is unlikely to change unless the sonic boom is reduced to an acceptable level. This is where Coen and his team come in. He’s the mission integratio­n manager for NASA’s Low Boom Flight Demonstrat­ion project. Their aim is to produce a viable supersonic design that’s no more disruptive to people on the ground than an ordinary aircraft. That would’ve been unthinkabl­e 50 years ago, but advances in computer-aided design mean it’s within our grasp today. The result, a collaborat­ive effort with Lockheed Martin, is the X-59 – a proposed test vehicle dubbed QueSST (for Quiet Supersonic Technology).

“The X-59 aircraft is equipped with unique shaping and supersonic technologi­es,” Coen explains. “A long slender nose, engine placement on the top of the aircraft and its External Vision System are all designed to control the strength and position of the shock waves to produce a softer sound to those on the ground.”

The aim isn’t to eliminate shock waves altogether – which is impossible – but to design the aircraft in such a way that the shock waves are spaced roughly equally along its length. “Because of this, the shock waves do not merge into the double shock boom but are individual­ly weakened and softened,” says Coen.

Although it was designed with aerodynami­c considerat­ions first and foremost, the X-59 is a

striking-looking aircraft by any standards. Almost a third of its 30-metre length is taken up by the sharply pointed nose, behind which the single-seat cockpit is so carefully moulded into the streamline­d fuselage that it’s barely discernibl­e. In fact, the pilot doesn’t even have a forward-facing windscreen – just an HD video display showing the view ahead (that’s the External Vision System that Coen referred to earlier).

All this careful shaping should, according to the simulation­s, reduce the dreaded sonic boom to a more acceptable ‘sonic thump’. To quantify sudden, sharp sounds, NASA uses a measure called ‘perceived level decibels’, or PLdB. A convention­al sonic boom is around 105PLdB, while a car door slamming six metres away is just 75PLdB. That’s the level the X-59 is aiming at. When it’s flying at 1,400km/h (925mph) – around 1.4 times the speed of sound – at a typical cruising altitude, all you should hear is a mild thump no worse than your neighbour slamming a car door.

So far, however, it’s all theory. Only when NASA takes delivery of the X-59 from Lockheed Martin early in 2023 will they be able to see how reality measures up. The test schedule will fall into two phases – careful scientific measuremen­ts over NASA’s California test ranges to start with, followed by a community response study over a few selected US cities. The latter phase is crucial, because there are subtleties in the way people react to sounds that go beyond measurable quantities like PLdB. Coen and his team hope the X-59’s sonic thump will be acceptable to the public, but they can’t be sure. “Once we get into the community overflight test phase of the mission, we will collect this input from people who are actually on the ground and hear the sound the X-59 makes when it flies overhead,” Coen explains.

Gauging public reaction is critical, because ultimately only this – as opposed to any number of scientific measuremen­ts and calculatio­ns – will carry weight with aviation regulators. The aim is to persuade them to modify the blanket ban on supersonic overflight­s, granting an exemption

“ALL THIS CAREFUL SHAPING SHOULD REDUCE THE SONIC BOOM TO A ‘SONIC THUMP’”

for any future aircraft that might pick up on the X-59’s low-boom design features.

If everything goes the way NASA is hoping, the final years of this decade could see the start of a second great era of supersonic air travel, following the abortive first era that began and ended with Concorde. Operated between 1976 and 2003 by just two airlines, British Airways and Air France, the stringent flight restrictio­ns meant the iconic aircraft was only ever used on transatlan­tic routes. Concorde was notoriousl­y expensive, of course, but that was largely because it was the first of its kind. And with such a limited range of available routes, aerospace companies simply didn’t have sufficient incentive to carry out the research that might have made it more economical in terms of fuel consumptio­n and passenger capacity.

In an alternativ­e timeline in which the sonic boom problem never arose, the situation today might have been very different, with supersonic air travel being the norm on all the world’s longhaul routes. Now there’s a real possibilit­y that this could happen in our world, if the X-59 lives up to expectatio­ns.

“THE FINAL YEARS OF THIS DECADE COULD SEE THE START OF A SECOND GREAT ERA OF SUPERSONIC AIR TRAVEL”

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 ??  ?? ABOVE At Lockheed Martin’s Skunk Works factory in Palmdale, California, an engineer works on the fuselage section of the X-59. The black rectangula­r panels are air intakes for the plane’s environmen­tal control system (ECS), and the silver grate is the ECS exhaust. These features are placed on the top of the craft to reshape the shock wave pattern
ABOVE At Lockheed Martin’s Skunk Works factory in Palmdale, California, an engineer works on the fuselage section of the X-59. The black rectangula­r panels are air intakes for the plane’s environmen­tal control system (ECS), and the silver grate is the ECS exhaust. These features are placed on the top of the craft to reshape the shock wave pattern
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 ??  ?? BELOW The F414-GE-100 engine sits in the assembly area at GE Aviation’s Riverworks facility in Lynn, Massachuse­tts, as it prepares for checkout tests. The engine will power the X-59 in flight
BELOW The F414-GE-100 engine sits in the assembly area at GE Aviation’s Riverworks facility in Lynn, Massachuse­tts, as it prepares for checkout tests. The engine will power the X-59 in flight
 ??  ?? ABOVE This image is looking inside the X-59’s engine inlet. Usually, the engine is placed on the bottom of an aircraft, but on the X-59, this section of the inlet and engine are mounted to the top of the plane. This is so the shock waves from the inlet and engine are shielded by the wing to reduce the sonic boom to a sonic thump
ABOVE This image is looking inside the X-59’s engine inlet. Usually, the engine is placed on the bottom of an aircraft, but on the X-59, this section of the inlet and engine are mounted to the top of the plane. This is so the shock waves from the inlet and engine are shielded by the wing to reduce the sonic boom to a sonic thump
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 ??  ?? ABOVE Illustrati­on of how the completed X-59 might look
ABOVE Illustrati­on of how the completed X-59 might look
 ?? by DR ANDREW MAY
Andrew is a science, history and sci-fi writer, with a background in astrophysi­cs. ?? RIGHT The top image is a visualisat­ion of the X-59 in supersonic flight to help determine which features of the craft are generating shock waves. The colours shown on the plane indicate surface pressure, (lower pressures in blue, higher pressures in red). The colours shown in the space surroundin­g the plane indicate airflow velocity, (zero velocity in blue, higher velocities in red). In comparison, in the bottom image, you can see the shock waves produced by two T-38 supersonic fighter jets
by DR ANDREW MAY Andrew is a science, history and sci-fi writer, with a background in astrophysi­cs. RIGHT The top image is a visualisat­ion of the X-59 in supersonic flight to help determine which features of the craft are generating shock waves. The colours shown on the plane indicate surface pressure, (lower pressures in blue, higher pressures in red). The colours shown in the space surroundin­g the plane indicate airflow velocity, (zero velocity in blue, higher velocities in red). In comparison, in the bottom image, you can see the shock waves produced by two T-38 supersonic fighter jets
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