Fortean Times

the CO nspirasphe­re

The Grenfell Tower tragedy spawned, inevitably, numerous conspiracy theories, which nOel rOOneY suggests reveal emerging and competing schools of thought

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grenfell’s grand narrative

The conspiracy theories that blossomed in the wake of the tragic fire at Grenfell Tower elucidate some epistemolo­gical trends in the Conspirasp­here. The automatic nature of the responses is symptomati­c of the event anxiety that permeates the community (an anxiety that often resembles malicious glee more than fear); the range of responses speaks to a growing formalisat­ion of theorising – the emergence of schools of thought.

Event anxiety (or event compulsion) is not unique to the Conspirasp­here; how can it be in an age when the news media are desperatel­y subordinat­e to the next new thing, and pass that appetite on to their consumers? But the carnival of tragedy has different effects on different audiences. Whereas in the mainstream it typically induces short-term hypnosis followed by an addict’s yearning for the next fix, in the Conspirasp­here it is often a strangely affirming experience. It adds to the store of proofs, embeds validity into the most eldritch of world views. Those world views lead to very different retellings of events; the narratives are beginning to have a canonical feel to them, the telltale signs of a burgeoning of sects. They range from a very specific, and consistent, attributio­n of blame to a position that might be characteri­sed as satirising reality; the former reflects the fact that the sphere has its own mainstream, while the latter is evidence of the radical off-shoots that the alt-truth testament has spawned.

The continuing uncertaint­y over casualty figures, and the very real litany of negligence and cost-cutting are the main fuels for the canonical response. For this school of thought, Grenfell is more proof that the rich are out to get us; that anything that can be covered up, will be covered up (I’m tempted to term this Icke’s Law); that the mainstream media narrative is slave to (or in cahoots with) an elite agenda of oppression, perhaps extending to eugenic attrition by neglect; above all, that something must be done (and retelling the story in the language of conspiracy theory is the something that must be done).

The school that presents all major events as false flags is, in many respects, an example of hermeneuti­c, or grand narrative, conspiracy theorising (see ft330:4 for a discussion of this term). For this group, the fire was deliberate­ly started (the immediate culprits range from the London Fire Brigade, through the local authority to the German secret service) to serve an agenda completely unrelated to the benighted residents and their lost homes. To render this kind of interpreta­tion legible, one needs to acknowledg­e the Illuminati as an axiomatic element, and understand the Big Picture as way bigger than anything an automatic dissident might recognise.

Then there is the school of thought that understand­s Grenfell as a hoax: Hollywood incendiari­es rigged on a building devoid of real residents but replete with crisis actors (crisis actors recognisab­le from earlier episodes of the post-real tableau) in a species of postmodern performanc­e that has no immediatel­y discernibl­e purpose. This sect is gathering adherents at an increasing rate; its world view is essentiall­y nihilist, or cryptic existentia­list, and defies rational explanatio­n. Pattern is more important than meaning for this group; for instance, it includes a sub-sect that interprets events purely in terms of numerologi­cal clustering. Above all, it denies the veracity of all major events, a position oddly close to that of Fort himself in some respects.

None of this farrago of interpreta­tive ingenuity is much comfort to the real victims of the real fire, of course. Reality is not performing ontologica­l cartwheels for them; it is merely killing people, and ruining lives, in the callously neutral, and viciously random, way that it always has.

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