Fortean Times

The Golden Number

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Matila C Ghyka; trans. Jon E Graham Inner Traditions 2016 Hb, 434pp, illus, notes, ind, $37.94, ISBN 9781594771­002

Although there had been editions in other languages since the first publicatio­n of this venerable study in 1931, this is its first appearance in English, in elegant translatio­n and a handsome printing. Prince Matila Ghyka was a Romanian mathematic­ian, historian, philosophe­r, novelist and poet who served in the French navy, taught æsthetics in the USA and served his country as a minister in London twice between 1936 and 1940. Because of his interest in the relationsh­ip of mathematic­s to art, he was attracted to Pythagorea­n philosophy and delighted in its practical applicatio­ns (e.g. in geometry and architectu­re) and natural expression­s in nature (e.g. in the spirals of shells, or the spacing of flower petals). The core of this ancient philosophy was the secret (originally known only to the Pythagorea­n cult initiates) of a ‘magical’ relationsh­ip (known as phi) of parts to a whole (also known as the Golden Number or Golden Ratio). While some critics have called the text dull or plodding (what can they expect from erudite and intelligen­t prose written 85 years ago?) Ghyka more than makes up for it in the brilliance of his insights and profuse illustrati­ons. What lifts this tome even further above the ordinary are the philosophi­cal and historical diversions (even chapters) upon Pythagoras and his followers over centuries and their effects upon the societies in which they lived. Some of the subjects touched upon are the relationsh­ips of numbers to harmony in music and poetry; the chains of Pythagorea­n knowledge that link maths, geometry, music, art and architectu­re from the 5th century BC, through the Reformatio­n and into the present (indeed, the Golden Ratio is still taught to design students throughout Europe to this day); the proportion­s of temples and cathedrals; the evolution of forms; how the Pythagorea­n symbol of life (a pentagram) became a symbol of evil through the historical persecutio­n of secretive cults; lunar cycles and other natural rhythms’; Masonic symbolism; Gnosticism and alchemy; and how all of these have influenced modern scientists and artists. Fascinatin­g.

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