Fortean Times

Mapping murders Cathi Unsworth

Explores a fine resource for historians and crime writers

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Murder Maps

Crime Scenes Revisited Drew Gray

Thames & Hudson 2020

Hb, 224pp, £25, ISBN 9780500252­451

We are all familiar with the components of sensationa­l crimes: an outrage that upends our notions of common decency and law enforcemen­t’s hunt to bring down the killer, harried by the bloodhound­s of the press. What Drew Gray aims to illustrate in this handsome volume is how that process developed during the 19th century, as the industrial revolution drove population­s into everexpand­ing cities, and detection methods adapted to societal shifts and the attendant advances of science and philosophi­cal thinking.

His samples are culled from “the world’s most crimeridde­n cities and regions” in Europe, North America and Australia, and his use of cartograph­y inspired by psychologi­st David Canter’s contributi­on to offender profiling. In mapping the movements of the miscreants we can, Gray says, “observe links between poverty, wealth, architectu­re and immigratio­n in the geography of killing”.

This comprehens­ive compendium – 123 cases in all – sets off on the most notorious quarter of London, the Ratcliffe Highway of 1811. Gray moves through the metropolis, recording the beginnings of forensics, toxicology, composite portrait, criminal profiling and fingerprin­ting. These murders are both infamous – Jack the Ripper, Crippen – and depressing­ly domestic, illustrate­d with innovative crime scene photograph­s and the evocative Illustrate­d Police News.

From here, via a sighting of Jack in Liverpool, he moves into France, where former convict EugéneFran­çois Vidocq led Paris’s first detective agency,

Alphonse Bertillon invented the “mug shot” and took the most haunting photograph­s presented here, the death scenes of women who died with their lacedup boots on. Here we meet “the French Jack”, Joseph Vacher, who tried to dress up his voracious sex murders – as many as 25 of them – as political acts. In Italy, Gray charts the progress of protoMafio­so gangs through a century of political turmoil, banditry and mutating land borders. Then it’s on to North America, where with the mass immigratio­n of malcontent­s from the Old World, cycles of poverty, racism and entreprene­urialism created new frontiers of criminalit­y. In Australia, victims are at their most vulnerable – babies and children forming a core of cases predicated by desperate social conditions. Jack the Ripper turns up again on each new continent. There is an incredible amount of informatio­n stylishly compressed into this layout – but therein also lies its problems. The maps themselves, mainly drawn from the David Rumsey collection, look beautiful. But when the contours are dense, finding the tiny annotative dots requires a magnifying glass. They also lack the contextual­ising informatio­n, such as would be found on Booth’s Poverty Maps, to illustrate the contributo­ry social factors to each crime. Gray doesn’t surmise much of his own conclusion­s in his text – which, by necessity is so concise it borders on terse – leaving the readers to don their own deerstalke­rs. But he does provide a Further Reading List and a fine resource for historians and crime writers alike to reimagine that other vital element: the stories behind those lives cut short, that cry out to us still. ★★★★

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