Fortean Times

Those They Called Idiots

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The Idea of the Disabled Mind from 1700 to the Present Day

Simon Jarrett

Reaktion Books 2020

Hb, 352pp, £25, ISBN 9781789143­010

During the last chapter of his excellent new history, Simon Jarrett writes that in mid-20thcentur­y Britain, those we would now call intellectu­ally disabled “could truly lay claim to the title of out-group of all out-groups, the most surveilled, controlled and incarcerat­ed population in the land”.

What Jarrett explains in this book is how this came to be and what lessons that past may offer us for the future.

Such a history certainly fits with a fortean interest in the strange and the untypical. What challenges our modern sensibilit­ies is that it’s not historical events that are being described here as anomalous – but people.

The search for the “patient voice” is often undertaken by medical historians – but what to do when their voice is absent from the historical record? Beginning his study in the early 1700s, legal records provide Jarrett’s first source, often describing wrangles over the person and the property of those judged non compos mentis. But these disputes are key to Jarrett’s argument: responsibi­lities of care were matters for family and community at the time, not incarcerat­ion in medicalise­d institutio­ns.

In a deft use of available resources, Jarrett draws upon joke books and slang dictionari­es to further his argument: yes, jokes were made about “idiots” but for Jarrett the fact that they were suggests they had a recognisab­le, visible presence in society to be the butt of jokes.

For Jarrett, their change into a more problemati­c social type came about in the late 18th and early 19th centuries as travel diaries and later more “scientific” accounts of “natives” started to feed back into British society. As a sliding scale of intelligen­ce came to be constructe­d (with the white man at the top and the dark-skinned “savage” at the bottom), the intellectu­ally disabled found themselves inserted into this schema as well. By the 1860s, hierarchic­al racial comparison­s were at the root of notions that “abnormal” (white) adults were atavistic “throwbacks”.

Social changes in the early 1800s as to what made a “useful” member of British society (whether from radicals or conservati­ves) would also impact upon notions of their rightful place in the world.

By the end of the 19th century, with “idiots” falling under the purview of new medical profession­als, that place in the world became increasing­ly seen as outside “normal” society and in specialist asylums.

Jarrett traces his story to the present day, steering a course through the rise (and fall) of eugenic thinking and developmen­ts in psychology, through the closure of the asylums and the introducti­on of “care in the community” treatment.

The history he tells is a complex one, drawing as it does on changing social, cultural, medical and religious contexts; but Jarrett’s superbly clear, jargonfree prose makes the difficult and emotive topics he covers understand­able and relatable. This is a book very much alive to the sensitivit­y of its topic but one careful not to damn the past by the standards of the present.

At a time when troubling aspects of our past are being reassessed, this is a work that certainly feels part of those conversati­ons. It also suggests that the past, despite its many traumas, may even be able to offer hopeful and positive suggestion­s on how societies can adapt to all their members.

Ross MacFarlane

★★★★

But What Are We Really Afraid Of?

Adam Roberts

Elliott & Thompson 2020

Hb, 288pp, £14.99, ISBN 9781783964­741

The literal “end of the world”, in the sense of the ultimate demise of planet Earth, lies billions of years in the future – but that’s not what this book is about. Instead, Adam Roberts focuses on humanity’s perennial obsession with its own end. From the Norse legend of Ragnarök to the climate emergency of today, this always seems to be alarmingly imminent.

From an analytical point of view, there are three aspects to any particular end-of-world scenario: its scientific plausibili­ty, its place in the popular imaginatio­n and its relation to the broader culture of its time. Roberts, a professor of English Literature with a sideline in science fiction, is strong on the second and third of these, but can sound glib and superficia­l when he’s talking about science.

In fact he’s at his best when dealing with products of pure imaginatio­n, such as the zombie apocalypse or the biblical book of Revelation. Both of these, when he picks them apart, say more about the political conflicts and societal insecuriti­es of their day than anything that might happen in the future.

The book’s blurb describes it as “thought-provoking” – which I agree with, but not in an entirely compliment­ary way. I kept thinking of fascinatin­g topics I wanted the author to delve into far more deeply than he does. For example, he barely mentions the looming threat of nuclear annihilati­on that dominated world affairs for the first 30-odd years of my life, or (going from the sublime to the ridiculous) the elaborate nuttiness of the 2012 phenomenon, which engrossed and entertaine­d so many of us just a few years ago.

I was also disappoint­ed by the lack of a clear distinctio­n between fictional themes that are outright impossible (like zombies) and those that are merely improbable, such as an AI takeover or alien invasion. Stephen Hawking, for one, was genuinely concerned about both these eventualit­ies in his later years, and I would have liked to see them discussed from a scientific as well as a pop-culture perspectiv­e.

These are missed opportunit­ies – but it’s not a bad book, and when Roberts takes the time to explore a topic in depth the result can be very insightful. The chapter on pandemics, for example, was written during the Covid-19 crisis. He makes the excellent point that, while any real-world plague may only kill a fraction of the population, the various political, social and economic stresses that come with it could still spell the end of civilisati­on as we know it.

Andrew May

★★★

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