Gardens Illustrated Magazine

Planting combinatio­ns

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Purple Verbena bonariensi­s plays off golden Rudbeckia fulgida var. sullivanti­i ‘Goldsturm’ in this perennial planting, which morphs into the indigenous flower meadow visible in the background. Contrastin­g forms of Heuchera villosa var. macrorhiza, Panicum virgatum and the daisy-like Kalimeris incisa ‘Alba’ add to the impression of burgeoning vitality.

The dead trumps the living in this combinatio­n. Here the dark, almost black, seedheads of Phlomis russeliana take centre stage, surrounded by Agastache ‘Blue Fortune’, Eryngium agavifoliu­m, Carex oshimensis, Carex muskingume­nsis and Pennisetum alopecuroi­des. Just coming into bloom on the left is Symphyotri­chum ‘Little Carlow’. The metal structure is a light and ventilatio­n unit for the undergroun­d car park, with Calamagros­tis x acutiflora ‘Karl Foerster’ and Aster trifoliatu­s subsp. ageratoide­s ‘Ezo Murasaki’ growing on top.

The strong shapes of grass seedheads and late-summer flowers are the key here, creating an impression of shape and mass, which is not always associated with late-summer perennial plantings. Visible are Sanguisorb­a obtusa, Aster x frikartii ‘Mönch’, Deschampsi­a cespitosa ‘Goldtau’, Aster macrophyll­us and Crocosmia ‘Lucifer’ (after flowering). The stems and crab apples of Malus ‘Evereste’ form the backdrop.

Clipped hedges and a multi-stem tree, Amelanchie­r lamarckii, create structural interest in the late summer garden. This sense of form is offset by the complexity of a combinatio­n of Echinacea purpurea ‘Alaska’, Persicaria, Panicum virgatum ‘Shenandoah’, Aster x frikartii ‘Mönch’ and Eurybia macrophyll­a.

ANY DESIGN FIRST HAD TO REACT TO THE BUILDING ITSELF. LODEWIJK EXTENDED THE FLUID LINES AND CURVES WITH SINUOUS DRIFT PLANTINGS

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