Gardens Illustrated Magazine

Future perfect

James Hitchmough’s vision has one eye on the future in this thoroughly modern take on the traditiona­l perennial meadow

- WORDS ALYS FOWLER PHOTOGRAPH­S CLAIRE TAKACS

Behind a Georgian-style house in Wiltshire, James Hitchmough has created a contempora­ry take on the traditiona­l perennial meadow

David Morrison’s enthusiasm for plants is obvious the minute you walk through his front door to be greeted by two huge displays of tropical bromeliads. It’s a hint at what lies behind the house, although nothing quite prepares you for what unfurls: a vision so brilliant and unexpected that it quite takes your breath away. The farmhouse is a flawless take on a Palladian villa, with elegant Doric arches and clean columns. The 16th-century Italian architect Andrea Palladio was famous for rarely contemplat­ing the design of the gardens behind his villas, but you might expect a man who admires such a classical style to have, say, a formal parterre or two at the rear, or some well-ordered symmetry with a fountain and pond at the end of the central axis. Instead what you get is a very clever twist.

Behind the house is a garden that makes all the right nods to its classical setting: a beautiful pergola, long borders, a double row of neatly clipped trees and a sweep of lawn. Then, between the formal garden and the arboretum beyond, lies the surprise.

For here is James Hitchmough’s very modern making of a meadow, which happily blends the best of European and Asian species with plants from North America and South Africa. Sown from seed in 2014, this perennial meadow has been skilfully designed: the height is such that from the house you get a gently hazy vision that allows you to appreciate the landscape beyond, but up close you are treated to a feast of unexpected colour and detail, the planting rich in species diversity.

“The thing I like about the meadow is its context with the rest of the garden,” says David. “The house could have been built 200 years ago and the garden has a convention­al layout, but the planting in the garden, the meadow and even the arboretum is of the moment. It’s not backward looking. James is a scientist and a plant ecologist, driven by an interest in urban green spaces and planting combinatio­ns that look after themselves.”

Meadows are an ideal ecological model in that sense, and David felt passionate­ly that his garden should reflect such ideas. “James’s conviction­s are not just pertinent, but very relevant to 21st-century gardening. If one is lucky enough to start a garden from scratch, why not think about what the future holds, and how the garden will function within that scenario?”

On James’s part, a private client offered a degree of freedom to experiment with plant selection. “The challengin­g thing about these meadows is you never really know what’s going to be successful,” he explains. “Working with David allowed me to be semi-experiment­al and put some quirky stuff in that might or might not work. David is very passionate about the meadow and it’s become the basis of our friendship. It’s a lot of fun to have a meadow like that at the bottom of the garden.”

David is honest about the challenges of growing a perennial meadow from seed. “For the first two years, there is quite a lot of weeding work, and Carol, my head gardener, has done a very good job.” First, the area was treated with weed killer, then the paths were laid out, and finally the whole area

was covered with sand and sown. The sand is necessary to lower the nutrient levels so that weeds don’t out-compete the perennials.

It was also necessary to water the area a lot at the beginning. But now that the meadow has started to establish itself, maintenanc­e is pretty routine: a certain amount of weeding in spring, and then the meadow is allowed to stand until after Christmas when it is cut to just above ground level with a hedge trimmer and the brush cleared off. Most of the seed has naturally fallen by then and other than keeping the rabbits at bay – with a rabbit-height electric fence from October to late spring when they do the most damage – little else has to be done.

However, it’s not just the meadow that is filled with unusual finds. The rest of the garden and the arboretum brim with choice plants, wild-collected species and little-known gems. David acknowledg­es Nick Macer from Pan Global Plants as a huge influence on both the choice of plants and the design of the garden and arboretum. “Nick is immensely knowledgea­ble, and has a good eye for what makes a successful garden plant. He’s taught me a lot of about scale.” It’s knowledge that has clearly been put to good use.

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 ??  ?? Right This modern perennial meadow was chosen for a long season of interest and reflects a diverse group of plants from Europe, Asia, North America and South Africa. Designed by James Hitchmough, head of landscape at the University of Sheffield, it reflects the best of new meadows, spontaneou­s and playful, yet thoughtful­ly placed within the context of the wider landscape.
Right This modern perennial meadow was chosen for a long season of interest and reflects a diverse group of plants from Europe, Asia, North America and South Africa. Designed by James Hitchmough, head of landscape at the University of Sheffield, it reflects the best of new meadows, spontaneou­s and playful, yet thoughtful­ly placed within the context of the wider landscape.
 ??  ?? Right Nurseryman Nick Macer of Pan Global Plants helped choose some of the plants for this autumnal long border where Crocosmia x crocosmiif­lora ‘Harlequin’, surrounded by tall Eryngium pandanifol­ium and foliage of Hedychium ‘Helen Dillon’, blazes a brilliant orange on one side of the gravel path, with the softer, hazier hues of Eupatorium maculatum ‘Orchard Dene’ and tall steely blue globes of Echinops sphaerocep­halus facing it on the other.
Right Nurseryman Nick Macer of Pan Global Plants helped choose some of the plants for this autumnal long border where Crocosmia x crocosmiif­lora ‘Harlequin’, surrounded by tall Eryngium pandanifol­ium and foliage of Hedychium ‘Helen Dillon’, blazes a brilliant orange on one side of the gravel path, with the softer, hazier hues of Eupatorium maculatum ‘Orchard Dene’ and tall steely blue globes of Echinops sphaerocep­halus facing it on the other.

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