Gardens Illustrated Magazine

Style and vision

A geometric garden in the Netherland­s where the planting has been inspired by the ideas of designer Piet Oudolf

- WORDS STEPHANIE MAHON PHOTOGRAPH­S SIETSKE DE VRIES

Just over an hour’s drive from Amsterdam, on the scenic floodplain of the River IJssel, there rises an extraordin­ary house of impossible angle, like a book part opened. Owners Willem and Josée de Haan have an eye for and love of contempora­ry design, and this has been extended from their ultra-modern, minimalist­ic home into their accomplish­ed garden. They moved here in 1996, seeking refuge from town life, and settled on the small enclave of Fortmond, where for sale they found a former farmhouse, a cow shed and two-and-a-half-acres of land.

“We demolished the cow shed and got an architect to design a modern living area,” explains Willem. This section offers wonderful views of the garden and landscape through the floor-to-ceiling windows. “But the bedrooms and bathroom were still in the old farmhouse,” he says, “so in 2012 we commission­ed another architect to design something to replace it. At first, we were refused planning permission, as the design was seen as too strange.” To ease the planners’ concerns, they suggested a berm or bank that could wrap around the front of the property, sloping in the same direction and at the same angle as the roof, which would be clothed in plants. With this softening and greening of the design, permission was granted.

By this time, Willem and Josée had begun work on the garden. “Our last garden had been designed by a landscape architect, but here we wanted to do it ourselves,” Willem explains. He describes the style as “geometric forms with nonchalant planting in between” inspired by the naturalist­ic style of Piet Oudolf.

Rugged clay pavers, reclaimed from a former brick factory, lead down into the back garden, where beds of late-summer perennials including Phlomis russeliana, Agastache ‘Blackadder’, Persicaria and Actaea give a sense of enclosure without blocking the wider view.

The garden is demarcated with a grid of large, gravel squares, and dominated by two rows of purple-leaved Prunus cerasifera

‘Nigra’ trees. Further structure is provided with low hedges of clipped berberis laid along the limits of the old cow shed, and taller hedges of copper beech that divide up different areas, the repeated dark foliage giving a soothing consistenc­y to the underlying framework.

At the centre are two matching, rectangula­r lily ponds. The planting areas that separate and surround them comprise many plants for autumn interest, such as Japanese anemones and ornamental grasses, as well as chunky blocks of groundcove­r, such as vincas, hostas and geraniums. Their lower profile ensures a clear eye-line from the house out across the surroundin­g fields, into which the outer garden merges seamlessly. Willem created this effect by using curated-looking planting near the house, and more naturalist­ic schemes further out, which then flow into a band of wildflower­s – the same ones that grow in the De Duursche Waarden nature reserve beyond.

In the front garden, the berm is populated with trees including a southern beech and a fig, blocks of Ophiopogon and Ceratostig­ma,

and flurries of Echinacea purpurea ‘Alba’, Phlox and Deschampsi­a, as well as Salvia uliginosa and Limonium platyphyll­um. Along both sides of the house there are more planting beds, one designed by plantswoma­n Lianne Pot, and varied wildflower schemes created from site-specific seed mixes by the company Cruydt-Hoeck.

The garden has clearly been crafted with meticulous attention to detail, and it is proof that much-cited design principles do work. As well as borrowing from the landscape, and starting with a strong structure, Willem has repeated essential dimensions to make the space feel harmonious. “The steel beams in our living space create squares of 4m x 4m,” he explains, “so I also used that measuremen­t in different ways in the garden. The gravel squares are 4m x 4m, the ponds are 4m x 8m, the berberis hedges are 2m x 2m.”

This has resulted in myriad views – wherever you stand in the garden, there is a different outlook – while cleverly screening the tourists on the busy canal that runs alongside with a simple stand of trees and shrubs. Not that there is much time for the couple to take in the view themselves, with such a large garden to maintain. In summer, they open to visitors – some 1,000 this year – as part of a local gardens group. Autumn is their most mellow time, when they can enjoy the changing colours and developing seedheads, before a frantic burst of winter activity from late January, when they cut it all down and weed and mulch everything.

It has been a steep learning curve, but Willem and Josée couldn’t be happier with the result, and Willem has sage advice to offer other gardeners starting out with a new space: “Don’t think you will have success in one or two years – it will take ten. Have patience.”

USEFUL INFORMATIO­N

Address Fortmonder­weg 47, 8121 SL Olst, the Netherland­s. Tel +31 (0)570 564 317. Web detuinvanf­ortmond.nl Open By appointmen­t.

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 ??  ?? In autumn colour from taller perennials, such as Agastache ‘Blackadder’ and Anemone x hybrida ‘Honorine Jobert’, stand out against the still green foliage of Euphorbia characias subsp. wulfenii, and the muted tones of Sanguisorb­a menziesii and Echinops ritro seedheads, and of grasses, such as Calamagros­tis x acutiflora ‘Karl Foerster’.
THE STYLE IS DEFINED BY GEOMETRIC FORMS
In autumn colour from taller perennials, such as Agastache ‘Blackadder’ and Anemone x hybrida ‘Honorine Jobert’, stand out against the still green foliage of Euphorbia characias subsp. wulfenii, and the muted tones of Sanguisorb­a menziesii and Echinops ritro seedheads, and of grasses, such as Calamagros­tis x acutiflora ‘Karl Foerster’. THE STYLE IS DEFINED BY GEOMETRIC FORMS
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 ??  ?? IT IS IMPOSSIBLE TO DECIPHER WHERE THE GARDEN ENDS AND THE LANDSCAPE BEGINS
IT IS IMPOSSIBLE TO DECIPHER WHERE THE GARDEN ENDS AND THE LANDSCAPE BEGINS
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