Gardens Illustrated Magazine

Anna Pavord

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Anna Pavord is a garden writer.

DICTIONARY OF BRITISH AND IRISH BOTANISTS by Ray Desmond

CRC Press, ISBN 978-0850668438

Out of print but search online for secondhand copies

The two books I’ve chosen aren’t ones that you’d take to the beach. Too heavy for a start. The first is the book that I asked to have with me when I was a castaway on

BBC Radio 4’s Desert Island Discs. It is Ray Desmond’s Dictionary of British and Irish Botanists and Horticultu­rists, published in 1994. A bit dry you might think. But you’d be wrong. Desmond is the kind of miracle that does not exist any more: meticulous but never dry, scholarly but totally engaging. I love garden history in all its forms and can dip anywhere into the 800 pages of this book and be absorbed. Why is the Baron de Soutellinh­o here? He rediscover­ed Narcissus cyclamineu­s in the wild. Who else remembers Sarah Coleman who in the 1820s ran a nursery in Tottenham? Gradually the dictionary enmeshes you in a vast, intricate web of plantspeop­le and gardeners that spans 500 years.

THE ART OF BOTANICAL ILLUSTRATI­ON by Wilfrid Blunt and William T Stearn

ACC Art Books, £35, ISBN 978-1851491773

From several shelves of books about botanical art, I most often reach for The Art of Botanical Illustrati­on by Wilfrid Blunt and William Stearn (1994). This isn’t a how-to manual, but a much rarer thing: a history of flower painting from a wall painting of a Madonna lily at Knossos that dates from around 1550 BCE to the anatomical­ly precise water colours of Arthur Harry Church made in the 20th century. It’s particular­ly good on the Renaissanc­e, giving a wonderful insight into the gradual shift away from myth and magic to the microscopi­c precision of the paintings of Nicolas Robert and Georg Ehret. It’s not only restful, but restorativ­e to gaze at these pictures from a pre-Instagram age, to forsake for a while the twitchy practice of click and forget. The images shown in the Blunt-Stearn book show centuries of care, love and a wonderful delight in the complexity of nature.

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