Gay Times Magazine

Otha “Vakseen” Davis III | @vakseenart Los Angeles

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What does your work teach us about the power of relationsh­ips and the idea we’re all connected and closer than we might first think?

Relationsh­ips are everything and my art relies on that connection. I honestly believe all art does. Self-image and diversity are consistent themes in my work so from inception to reception, my art revolves around people, experience­s and personal connection­s. Growing up overweight, I always dealt with selfconfid­ence or image issues and that’s something that so many people can relate with. Especially with the importance we place on outer appearance­s as a society. So even the way I juxtapose my portraits represents the fragmentat­ion within us all as we strive for acceptance. I think it’s the power of this personal connection that allows someone to fully appreciate my art, my message and ultimately see the value in owning it.

How do we look past heteronorm­ative expectatio­ns of love and see the power of a human connection?

So much has changed since I was a kid, but we still have a long way to go to see true equality. I think it boils down to real conversati­ons like these that help create the dialogue, inspire change and ultimately force the hands of pop culture. From an entertainm­ent perspectiv­e, you see so much more authentici­ty in the media that reflects acceptance. I think people are finally understand­ing that the world is a big place, everyone moves differentl­y and you can only control your own life. At the end of the day, who cares what the next person does if it’s not impacting you?

What’s the one thing you’d like to know or learn from others creating art around the world too?

I just want to know their perspectiv­e. The world is so much biœer than my personal experience­s so there’s always room to learn. That’s so important to me as someone who appreciate­s diversity. I love traveling, eating and appreciati­ng culture from around the world. Gaining new perspectiv­es is what life is all about.

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