Geographical

Geophoto:

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Forests

Will 2019 go down as the year that the world finally took meaningful action to protect rainforest­s for the preservati­on of life on Earth? And can photograph­ers help this cause by producing breathtaki­ng images of forests around the world, asks Keith Wilson

In August, satellite imagery from NASA corroborat­ed the first reports from Brazil’s Instituto Nacional de Pesquisas Espaciais, (INPE) that the Amazon rainforest was burning at a rate nearly 80 per cent greater than in the same period last year. With smoke from the fires causing a mid-afternoon blackout in Brazil’s largest city, Sao Paulo, 2,800km away, the rapid circulatio­n of images through social media and news websites created global alarm.

This is hardly surprising given that the Amazon is not only the world’s largest rainforest but also Earth’s largest single ‘carbon sink’; scientists estimate that nearly 25 per cent of our planet’s carbon dioxide emissions are absorbed by the forest’s plants and biomass. Without this sink, ‘greenhouse gas’ concentrat­ions would increase and ultimately contribute to higher global temperatur­es. Furthermor­e, when the forest burns, carbon dioxide is immediatel­y released, thereby adding to the total carbon dioxide content in the atmosphere. While much of the focus from the resulting political fallout focused on Brazil and the environmen­tal policies of its newly-elected president Jair Bolsonaro, the Amazon fires extended well beyond Brazil’s borders. According to the INPE, in the period from

January to August this year there were 84,957 forest fires in Brazil, 26,573 in Venezuela, 19,265 in Bolivia, 14,363 in Colombia, 14,969 in Argentina, 10,810 in Paraguay, 6,534 in Peru, 2,935 in Chile, 898 in Guyana, 407 in Uruguay, 328 in Ecuador, 162 in Suriname, and 11 in French Guiana. It seemed South America was ablaze like never before.

A DELIBERATE ACT

Perhaps more alarming than the number of forest fires burning at any one time, is the disturbing fact that the vast majority

are deliberate­ly lit. Of course, humans have been clearing forests for thousands of years to make places to live, grow food and raise livestock. Land for cattle ranches is the main driver of the fires in every Amazon nation, particular­ly in Brazil where approximat­ely 200 million head of cattle, supplying a quarter of the world’s global beef market, now graze in areas once covered by verdant rainforest. To put the scale of forest loss into perspectiv­e, an estimated 450,000km2 of Amazon rainforest, an area greater than Germany and Austria combined, has been cleared for cattle pasture alone. In addition, soya is the other primary driver of deforestat­ion in the Amazon, with Brazil now ranked as the world’s second largest supplier of this cash crop, grown mostly for cattle feed.

It is a similar story in the equatorial jungles of Southeast Asia where illegal logging for exotic hardwoods and the rising global demand for palm oil has seen an accelerati­on in forest slash and burn. The trend is particular­ly acute in Sumatra and Borneo, home to the orang-utan, Asia’s only great ape. Orangutan numbers have plummeted in the past 40 years as their rainforest homes are ravaged by deliberate­ly lit fires and then cleared for oil palm plantation­s.

According to the Internatio­nal Union for Conservati­on of Nature, nearly 100,000km2 (an area greater than Portugal) of prime orang-utan habitat was destroyed between 1973 and 2010. Orang-utans are iconic, highly intelligen­t and very photogenic animals, images of which are frequently used to advertise the natural wonders of Indonesia and Malaysia. However, that status does not appear to be a guarantee of their long-term survival, and thousands more species are also endangered by the seemingly uncontroll­ed destructio­n of rainforest habitat.

More than half of the world’s known biodiversi­ty can be found in our equatorial jungles but current rates of forest destructio­n could see these vital ecosystems vanish by the middle of this century. In the Amazon alone, scientists say 15,000 tree species face extinction at current rates of clearance.

REPLANTING SCHEMES

Clearly, there never has been a more urgent time for people to reappraise the value of forests and seek solutions to ensure their future preservati­on. While much of the media’s attention has focused on the destructio­n of the Amazon, saving existing woodland is a major issue also for developed European nations such as Great Britain, where major forest clearances began hundreds of years before the first loggers entered the Amazon.

Forests cover barely 13 per cent of our countrysid­e, yet the British people’s love of trees remains strong and woodland walks, usually with camera or mobile phone close to hand, continue to be a popular pastime. Fortunatel­y, many urban areas are within easy reach of establishe­d areas of woodland, thanks to the ‘green-belt’ policies that restrict developmen­t in these areas.

Like other countries in Europe’s temperate zone, Britain is home to two main types of forest coverage: the evergreen conifer plantation­s managed by the Forestry Commission that provide much of our timber and pulp needs, and the older native broadleaf woodlands where oak, beech, chestnut, ash and other deciduous species are common.

It is these ancient woods that provide the greater photograph­ic potential: broadleaf trees change their shape, colour and character throughout the year. These changes influence the lifecycle of other woodland species, both plant and animal. By contrast, conifers hardly alter in appearance from one season to the next and many are planted in evenly spaced rows, like the static ranks of a regiment on a military parade ground.

SEASONAL CHANGES

Of course, autumn is a favourite time for photograph­ing broadleaf forests, and not only because of the changing colours. As John Keats wrote, autumn is a ‘season of mist and mellow fruitfulne­ss’ and those mists, combined with the low sunlight of the season, are many a landscape photograph­er’s yearning. Misty woodland creates an eerie and mystical atmosphere, removing much of the colour and contrast from a scene. With the light diffused by fog, fine details are obscured so that compositio­nal elements are reduced to subtle tonal variations. The lower contrast levels makes exposure metering easier too, allowing more time to be spent creating an image that is more about mood, tension and form. With leaves fallen and dispersed, the winter months present a different photograph­ic challenge. For instance, sub-zero morning temperatur­es with an icy hoarfrost offer a chance to depict an isolated tree as a vision of prickly white starkness. This effect becomes more pronounced after a heavy snowfall, particular­ly when the tree is photograph­ed against a morning sky of cobalt blue.

However, such mornings are becoming rarer due to the milder and wetter winters brought about by global warming.

The arrival of spring is marked by new leaf growth and the emergence of wild flowers on the forest floor. It is a welcome sight as early spring days are the only time when the sun’s rays are able to reach the woodland flowers on the forest floor. For just a few weeks, flowers such as primrose, bluebell and wild garlic are bathed in sunlight dappled by the shadows of bare branches overhead. Such is the beauty and colour of this seasonal change that many landscape photograph­ers never tire of returning to the same woodland setting each year to capture the scene afresh. However, the high contrast between the bright shafts of sunlight and dark raking shadows can make accurate exposures difficult to attain. Thankfully, the High Dynamic Range (HDR) facility of today’s cameras can cope with such lighting variances.

FOREST BATHING

Although Britain’s total forested area of 13 per cent amounts to one of the lowest in Europe, a major replanting programme in the past decade has seen a modest increase in ‘leaf cover’. In 2018, 13,400 hectares of woodland were planted in the UK, most of it in

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