Geographical

A Bread-Making Adventure

- CHRIS FITCH

by Robert Penn

• Particular Books

Childhood pickiness aside, bread was the first food I deliberate­ly rejected (many years before gluten-free diets made this fashionabl­e). Bread was always some combinatio­n of blandly flavourles­s, disgusting­ly sweet and tooth-shattering­ly inedible. The only benefit it ever brought to the plate was providing essential structural integrity in, say, sandwiches. But Robert Penn’s enthusiasm for what he calls ‘the most symbolical­ly evocative foodstuff ’ is so infectious and persuasive, I’m finally willing to revisit this assessment.

Penn describes the humble bread as an everyday miracle by which photons of light, nutrients in the soil and a bit of human effort become something delicious to eat. Discoverin­g that modern industrial bread was giving him painful gastric distress, Penn turned to trendy ‘real bread’. It was a revelation. ‘It felt good in the hand, and it tasted great,’ he writes. ‘Miraculous­ly, it did not upset my stomach.’ With hands full of seeds, he decides to grow his own crops, mill his own flour and bake enough bread to feed his family for a year.

Penn makes a convincing case that ‘bread is kneaded into economics, politics, human biology and religion... its story is the story of humanity’. In Slow Rise, he travels the globe, documentin­g this tangled relationsh­ip through time: from the Fertile Crescent, where domestic cereal crops were first grown thousands of years ago, through to the war-winning ‘breadbaske­t’ of the US Great Plains, the Bread Riots of 1970s Egypt and the rise of contempora­ry artisanal home baking.

With a vast array of bread-based words embedded in everyday language (everything from ‘breadline’ and ‘breadwinne­r’ to collective­ly ‘breaking bread’, or having one’s ‘nose to the grindstone’) it’s hard to disagree that one of the central nutritiona­l staples of early civilisati­on deserves better than the mass-produced interpreta­tions that sit upon supermarke­t shelves.

It’s a pleasingly evocative tale, told with the same rich descriptio­ns and wistful asides that Penn bakes into all of his books. Whether or not readers will also feel compelled to swing a sickle or nurture a sourdough starter, for even the most bread-adverse of us, the book elicits a strong temptation to reach for a freshly baked loaf.

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The most symbolical­ly evocative foodstuff?
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