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Although large, the hall doesn’t benefit from much natural light. ‘It makes it more interesting to embrace the darkness and work with it,’ says Lucie. She painted it in Farrow & Ball’s Brassica and went for a chequerboard design in grey and Antwerp blue on the bare floorboards – very Vermeer-esque. The piano cost just £100 in Sweden, and the paintings and the large mirror were all found in Antwerp.