MYLES KENNEDY

IN A TYPICAL year, Myles Kennedy would have been busy in his roles as singer and guitarist for Alter Bridge and as vocalist for Slash’s backup band, Myles Kennedy and the Conspirators. But since lockdown, he’s had time to work in his home studio, where he created demos for his new solo album, The Ides of March.

What’s your home rig’s main purpose?

Woodshedding, songwriting, recording. I have two rigs placed strategically to keep me inspired no matter where I am.

What’s in them?

In my loud room, I have a Diezel Schmidt and Paul Amp into a 2x12 cabinet with Tone Tubby speakers. Sometimes, when I want a tweed vibe, I’ll plug into the ’58 Fender Deluxe. In my writing/demo room, the main go-to is a Universal Audio Apollo x4 interface. I use the Diezel VH4 and ’55 Fender Deluxe amp plug-ins for late-night recording. I’ll fire up my ’53 Fender Super Amp when I want to play loud enough to freak out the neighborhood.

How did you come to choose this gear?

I discovered Diezel amps while we were making the the second Alter Bridge record in 2007. I integrated their amps into my home rigs for writing in that realm, but for my solo material the older Fender tweeds hit the mark. For demos, the Universal Audio interface can’t be beat. I started using it last year while writing The Ides of March. I retired most all of my outboard gear once I realized how effective the plug-ins are.

Do you have a favorite piece?

My ’58 Deluxe sounds stunningly good. I also love the Diezel Schmidt. It’s like a Vox AC30 on steroids.

What’s the latest addition?

PRS just sent me a prototype for a new take on a classic amp. It’s a beast. I wish I could tell you more.

A selection of primo axes (top), Myles’ 1953 Fender Super Amp (center) and his favored Diezel Schmidt (bottom).

What’s the best thing about your rig?

It’s relatively simple. I’m just trying to keep the tone intact without compromising it by using too many pedals before hitting the amp.

What would you like to change or add?

I think I’m going to have to build a studio outside of my living environment — a real man cave with tacky velvet Elvis posters, lava lamps and assorted arcade games surrounding an API console.

How much use did it get this past year?

A ton. There was nothing else to do but write and play music. I haven’t been this productive in years.