Guitar Player

JOHN PETRUCCI

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AS DREAM THEATER’S virtuoso guitarist, John Petrucci is one of rock and progressiv­e metal’s most inspiring axe men. Beyond his own recent solo disc and a new one from Liquid Tension Experiment, he’s been at work on Dream Theater’s next album. Given his busy schedule, it’s small wonder his “home” rig is a fully outfitted studio a mere 20-minute drive from his house.

What’s your rig’s main purpose?

Writing, recording and producing records as well as rehearsing, press, promotion and so on.

What’s in it?

Guitars and amps: Ernie Ball Music Man John Petrucci Majesty guitars, Mesa/Boogie John Petrucci JP-2C amplifiers

Recording: Pro Tools, RND Shelford

channels, and RND 5024, RND D8 and Black Lion Audio B12 preamps Monitors: KRK V8, Adam A7X, Ex Machina Quasar, sE Electronic­s Munro Egg

Mics: Mojave 301, Royer 121, Shure SM7B, Shure KSM353, Sennheiser MD 421, Audio-Technica ATM450, sE V2 and Audio-Technica AE2500

How did you come to choose this gear?

Virtually all of the gear in this studio has been chosen by Dream Theater engineer James “Jimmy T” Meslin.

Do you have a favorite piece?

The RND Shelford channels have proven to be crucial in this setup. They are extremely versatile and the key to capturing great recording tone from multiple instrument sources. Having said that, without my signature guitars and amps, I’d have nothing to capture!

What’s the best thing about your setup?

The space itself is incredible and perfectly conducive to creativity and productivi­ty.

What would you like to change or add?

I’d like to increase the size of studio’s live room and add a more elaborate photo/video studio.

 ??  ?? John’s signature Mesa/Boogie JP-2C amps with cabs and switching system (top), and a rack of Ernie Ball Music Man Majesty guitars (below).
John’s signature Mesa/Boogie JP-2C amps with cabs and switching system (top), and a rack of Ernie Ball Music Man Majesty guitars (below).
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 ??  ?? The control room (top) and racks of gear (below), including Petrucci’s favored RND Shelford channels.
The control room (top) and racks of gear (below), including Petrucci’s favored RND Shelford channels.
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