Guitar Player



The Beatles had been fans of distortion since the making of their second album, With the Beatles, in 1963. They experiment­ed with a Maestro Fuzz-Tone during the recording of “She Loves You” and “Don’t Bother Me,” and in 1965 McCartney ran his bass through a Tone Bender for the recording of “Think for Yourself.” It’s not known when the Arbiter Fuzz-Face entered the Beatles’ world, but Harrison is seen using one in photos from the Twickenham sessions.

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