Guitar Player

ALEX SKOLNICK

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NOTHING PERSONAL Michael Brecker, Michael Brecker GUITARIST: PAT METHENY

“Pat Metheny’s solo is the perfect blend of improvisat­ion and well-crafted compositio­n. Every part feels connected, from beginning to end. It’s built around extended minor blues changes, but it manages to take some wildly unpredicta­ble turns without ever losing the structure or minor-blues flavor. It feels almost perfectly composed but with just enough tension to capture high-level improvisat­ion in a way that is distinctly Pat.”

TIME IS FREE Col. Bruce Hampton & the Aquarium Rescue Unit, Col. Bruce Hampton & the Aquarium Rescue Unit GUITARIST: JIMMY HERRING

“It often surprises me that more guitarists aren’t aware of this album and, in particular, this solo by Jimmy Herring. Those who have the album often point to the ‘Compared to What’ cover, which has one of Jimmy’s most burning leads, but to me, this one wins. It starts off as a searching jazz solo, beginning with a soft touch but ending with a screaming blues-rock tone and modern harmonic ideas. Truly underrated.”

THE COOKER George Benson, The George Benson Cookbook GUITARIST: GEORGE BENSON

“When I was growing up, George Benson was a superstar on the pop/R&B scene, known as much for his voice as for his guitar. So it blew my mind to discover the burning straight-ahead soul jazz he’d done in the 1960s. This song and solo are quintessen­tial. One of my ‘pandemic projects’ was to transcribe and play along to ‘The Cooker,’ and I was touched by the attention it got, including props from a fellow early Benson fan, one Peter Frampton.”

SWING SPRING Joe Henderson, So Near, So Far GUITARIST: JOHN SCOFIELD

“As much as I enjoy John Scofield’s solo albums, hearing him as a sideman alongside a giant like Joe Henderson brings out something special. Here he is burning over rhythm changes, a common form in jazz, yet his licks are anything but common. Harmonic density and alteration­s are blended with blues flavor and hard-hitting rock bends at times, all with that signature ‘Sco’ nastiness.”

METAL FATIGUE Allan Holdsworth, Metal Fatigue GUITARIST: ALLAN HOLDSWORTH

“It’s difficult to pick a favorite Holdsworth solo, but this one seems to capture a lot in fewer bars than most of his extended excursions, which are also wonderful. The opening is so singable, it could be a compositio­n in itself. A consummate improviser, Holdsworth’s live performanc­es of this track rarely, if ever, resembled his recorded solo. But for many of us listeners, it’s an essential part of the song and a lesson in deep expression.”

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