REEVES GABRELS

(The Cure)

DRIVING SIDEWAYS Derringer, Sweet Evil

GUITARIST: DANNY JOHNSON

“When I first heard Danny Johnson, in 1975, I felt like I had found a kindred spirit, someone like myself who, at 19, was standing on the corner at the intersection of Mahavishnu and Mountain. On this track, Rick Derringer generously pushes Danny out front in the dual role of lead guitarist and vocalist. Danny fearlessly tears at the seams of conventional rock harmony during his solos.”

MORE THAN MEETS THE EYE Boxer, live radio broadcast GUITARIST: OLLIE HALSALL

“Many of us first heard the late Ollie Halsall in the band Patto. With singer Mike Patto, he formed Boxer in 1975. As is the case with most of the guitar players I like, Ollie is at his best live, where he plays with the songs like a cat with a ball of string. It’s all here: Curtis Mayfield double-string slides, Tal Farlow–like arpeggios, blues bends and chromatic runs.”

SOMEONE James Taylor, One Man Dog GUITARIST: JOHN McLAUGHLIN

“I heard this song for the first time in 1972, when the only guitar I owned was a Harmony H-162 acoustic. This largely acoustic recording blew my mind and exposed me to a level of communication and technique to which I still aspire. For years, I wondered what effect was on the guitar, until one day I was struck by the stupiphany that there was none — just John McLaughlin’s massive technique and deep soul that, for me, conjured up the sound of the flutter of dragonfly wings and the rolling of waves.”

GEORGIA ON A FAST TRAIN

Billy Joe Shaver, Unshaven: Shaver Live at Smith’s Olde Bar GUITARIST: EDDY SHAVER

“The late Eddy Shaver kicked out the roadhouse jams Texas-style in 1995 with a Boogie combo, a ’50s Strat and some serious seat-of-the-pants high-level playing. Live at Smith’s Olde Bar is a good record to shake of the dust with, and this track can never be too loud.”

NO. 1 LOWEST COMMON DENOMINATOR Todd Rundgren, Todd GUITARIST: TODD RUNDGREN

“Todd is strangely underappreciated as a guitarist. This is one of my favorite Rundgren guitar songs. He conjures up a surreal sonic landscape whose visual corollary, for me, would be Dali’s Persistence of Memory. Are psychedelics bad? Let Todd offer his opinion.”