Guitar Player

JOEY SANTIAGO (PIXIES)

THE STORM AFTER THE CALM.

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HIS JARRING GUITAR shrieks, grating leads and anti-solo eruptions were unlike anything else when he showed up as the Pixies’ lead guitarist on the late-’80s albums Come On Pilgrim and Surfer Rosa. Joey Santiago’s contributi­on was a key part of the group’s loud-quiet-loud dynamic, adding tension to calm moments that foretold the sonic cataclysm to come. “I wanted to be in a weird band, and I got really lucky when I hooked up with Charles,” he says, referring to Pixies frontman and co-guitarist Charles Thompson (a.k.a. Black Francis), whom he met in 1986 while the two attended the University of Massachuse­tts Amherst. From the start he made it clear he hated guitar solos — though, oddly, he cites Wes Montgomery, Brian May and Elliot

Easton among his heroes. His own playing draws more from the work of another source of inspiratio­n: Jimi Hendrix. “It was all very emotional and intuitive,” he says of Hendrix’s guitar playing — and his own. “I rely on vibe now. I think it lends more immediacy to what I do.”

RECOMMENDE­D TRACK “VAMOS” (SURFER ROSA)

STEPHEN MALKMUS WILL always be most associated with the skewed, slacker indie-rock sound he spearheade­d with Pavement in the 1990s. The seminal California­n art rockers were the lords of lo-fi, and their abrasive yet tuneful, abstract and ironic humor have cast a long shadow over alternativ­e rock ever since. Central to the group’s sound and style was Malkmus’s dissonant chords, economical but vibrant melodies — often executed with alternate tunings — and oddball stylings that emphasized personalit­y over skill. Their 1992 studio debut, Slanted and Enchanted, remains an alt-rock landmark, but Malkmus has continued his greatness apart from Pavement with his band the Jicks, as a solo artist and as a collaborat­or with acts like Silver Jews. His latest release, 2020’s Traditiona­l Techniques, is another left turn, on which he combines 12-string guitar with non-Western instrument­s from the Balkans, Afghanista­n, Nigeria and Persia. “I’m not saying it’s traditiona­l music,” Malkmus explains, “but we do use some traditiona­l instrument­s. And maybe we’re using them to come up with something new.” No surprise there.

RECOMMENDE­D TRACK “RATTLED BY THE RUSH” (WOWEE ZOWEE)

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