Guitar World

LAND O’ PLENTY

A BEGINNER’S GUIDE TO THE GIBSON BYRDLAND

- — Phil Gajewski

DURING THE MID 1950s, sales of Gibson archtop models declined dramatical­ly. Players were frustrated by the archtop electric’s bulky dimensions and tendency to feed back, but at the same time many were also displeased with the heavier weight and less-resonant acoustic properties of Gibson’s solidbody models. In response, Gibson introduced its first “Thinline” models in 1955, which offered a sort of “Goldilocks” solution where the traditiona­l archtop’s depth was reduced by about half. Gibson’s first thinline model was the Byrdland, followed shortly afterwards by the somewhat similar ES-350T.

The Byrdland’s name combined the surnames of two pro guitarists, Billy Byrd and Hank Garland, who helped conceive the model. Byrd was a prominent country guitarist who played in Nashville’s Grand Ole Opry house band and was a member of Ernest Tubbs’ Texas Troubadour­s. Garland was a Nashville session player who later appeared on dozens of legendary country and rock ’n’ roll singles by artists like Elvis Presley and Patsy Cline and recorded the classic 1960 instrument­al jazz guitar album Jazz Winds from a New Direction. “Billy and I told Gibson that we’d like an instrument like the L-5, but with a thinner body and a bunch of other stuff,” Garland told Guitar Player in 1981.

The Byrdland’s features included a solid spruce top, maple back and sides, round Venetian cutaway, laminated maple neck with ebony fingerboar­d and pearl block markers and pearl “flowerpot” headstock overlay inlay, all inherited from the L-5CES. Its major difference­s included the reduced 2 ¼-inch body depth (compared to the L-5’s 3 5/8-inch depth) and smaller neck with a 23 ½” scale length (as opposed to 25 ½” for an L-5) and narrower 1 5/8-inch nut width. The Byrdland also featured a 22-fret fingerboar­d, instead of 20 frets, as seen on an L-5 or ES-175.

Gibson initially offered the model with a sunburst finish for $550 or in a natural finish for $565. It underwent various changes over the years, including a switch from single-coil P90 pickups to humbuckers in 1958, a sharp Florentine cutaway from late 1960 through 1969 and standard 1 11/16-inch nut width in 1969. The Byrdland remained a standard production model from 1955 until 1993, when it became part of Gibson’s Historic Collection available for special order through the Gibson Custom Shop until 2018.

 ?? ?? A 1955 Gibson Byrdland
A 1955 Gibson Byrdland

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