Harper's Bazaar (UK)

ACCENTUATE THE NEGATIVES The V&A opens a new photograph­ic centre and pays tribute to Bazaar’s roster of groundbrea­king contributo­rs

The V&A’s immersive new photograph­y wing celebrates the greatest practition­ers of the medium, including Bazaar’s legendary contributo­rs

- By CATRIONA GRAY

‘Aportrait is not made in the camera, but on either side of it,’ wrote Edward Steichen, one of the world’s first fashion photograph­ers. His captivatin­g images are among the 775,000 that form the V&A’s photograph­y collection, a portion of which is now on display in its new centre. ‘We’ve been collecting work since the 1850s,’ says Susanna Brown, the curator of photograph­s, who has overseen the developmen­t. ‘Because works in this medium are so sensitive to light, the display will be rotated frequently, so there is more opportunit­y to show some of the collection’s hidden treasures.’ These include pictures taken for this magazine by Lillian Bassman and Louise Dahl-Wolfe, which will be the subject of a special talk during Bazaar Art Week.

The galleries have been carefully constructe­d to immerse visitors in the history of photograph­y, and feature a screening-room built to resemble a travelling darkroom tent. Inside, projection­s include a Victorian magic-lantern show – the act of stepping into the blackness and being surrounded by the flickering images recreates the thrill that the original audiences must have experience­d. ‘There’s often a disconnect between seeing an early photograph and understand­ing what was involved in producing it,’ says Brown. The design of early cameras meant that photograph­ers had to look at their subject upside-down, while pioneering practition­ers needed a good grasp of the sciences, as photograph­y in the 19th century was akin to alchemy and could be extremely dangerous – fire, mercury and cyanide were among the ingredient­s used to create these first mesmerisin­g snapshots. Fast-forward 150 years, and the touch of a button is all that is required, yet the medium continues to fascinate us, as it captures an ephemeral moment and renders it eternal. The V&A Photograph­y Centre (www.vam. ac.uk) opens on 12 October. The event, ‘A Celebratio­n of Bazaar’s Female Photograph­ers at the V&A’, will be held from 10am to 11.30am on 6 October in the Prints & Drawings Study Room. For further details, visit www.bazaarartw­eek.co.uk.

 ??  ?? Lillian Bassman photograph­s forBazaar from 1949 (above), 1954(above right) and 1950 (bottom right)
Lillian Bassman photograph­s forBazaar from 1949 (above), 1954(above right) and 1950 (bottom right)
 ??  ?? ‘Liz Gibbons as Photograph­er’, photograph­ed by Louise DahlWolfe for Bazaar in 1960
‘Liz Gibbons as Photograph­er’, photograph­ed by Louise DahlWolfe for Bazaar in 1960
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