Harper's Bazaar (UK)

EDITOR’S LETTER

- PS: Don’t miss the chance to subscribe to Harper’s Bazaar Justine Picardie

Exploring the shared landscape of fashion and art has always been at the heart of Bazaar ; yet in this issue, published in the month that the world’s artists, patrons, gallerists and curators converge on London, the theme is even more central to our own creative endeavours. Hence our partnershi­ps and collectabl­e covers with the city’s leading cultural institutio­ns – including the Barbican, the Hayward Gallery and the Royal Academy, which is the setting for one of our painterly fashion stories.

But our profound engagement with art extends beyond the features in this and every other edition of Bazaar. We are committed to curating events and private views during Bazaar Art Week (and throughout the year); and equally loyal in our support and celebratio­n of those who are themselves dedicated to artistic expression. It takes great courage to create – far more so than to be destructiv­e – and in an era when we are riven with political divisions, it seems to me that making art is an act of hope in the future. Which is not to say that art must express optimism – indeed, as I know from personal experience, it is when one is engulfed by grief or loss that the poetry of suffering offers solace; for in this way, we know that we are not alone. Reading a writer who articulate­s one’s own emotions can be like hearing a voice in the darkness, or feeling a hand reaching out in understand­ing, when all else seems lost.

Thus, in Bazaar, we are proud to publish the most distinctiv­e authors and artists – the ones who are unafraid to reveal their truest selves, to stand up and say: ‘This is what I feel, and I share it with you.’ And having had the privilege of being the editor of Bazaar for more than seven years, I, too, have learnt what it means to stand up for what I believe in, and to do so with the support and inspiratio­n of a brilliant editorial team and a group of remarkable contributo­rs, who share my commitment to liberty and a love of storytelli­ng.

For storytelli­ng is what brings us together, rather than tearing us apart – whether in the songs of Joni Mitchell, whose lyrics and paintings we feature this month; or the extraordin­ary performanc­es of our cover star Olivia Colman, an actress with a rare ability to convey the most intense emotions, while never losing her nuanced sensitivit­y and compassion.

Joni Mitchell’s ‘Shadows and Light’ is playing through my mind as I write; and her music has been the soundtrack in our office, as the Bazaar team created these pages together. And so it seems right to dedicate this to her, and to everyone who believes, as we do, in recognisin­g the power of darkness, while also cherishing freedom and delight.

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 ??  ?? Above: Erik Madigan Heck’s artistic study of his wife Brianna and their son (page 178)
Above: Erik Madigan Heck’s artistic study of his wife Brianna and their son (page 178)
 ??  ?? Left: Justine Picardie photograph­ed by
Philip Sinden
Left: Justine Picardie photograph­ed by Philip Sinden
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 ??  ?? Right: ‘Beyond the frame’, photograph­ed at the Royal
Academy (page 198). Below: Olivia Colman wears Alberta Ferretti in this month’s
cover story (page 166)
Right: ‘Beyond the frame’, photograph­ed at the Royal Academy (page 198). Below: Olivia Colman wears Alberta Ferretti in this month’s cover story (page 166)
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