Harper's Bazaar (UK)

BEHIND THE BLOOM

The CEO of an avant-garde floral-gift service on what sets her arrangemen­ts apart

- By JAMIE CARSON

rom pulling off petals to discover if ‘they love you or love you not’, to associatin­g birth-month plants with personalit­y traits, flowers are so much more than an visual pleasure; they are feelings personifie­d. Someone who knows this more than most is Whitney Bromberg Hawkings, the CEO and co-founder of online floral-gift service Flowerbx, which offers a fashion-led curation of bouquets. In a setting inspired by the floral jewellery of Harry Winston, whose design aesthetic marries nature’s beauty with the world’s most exquisite diamonds, we spoke to Bromberg Hawkings about building her brand.

Prior to Flowerbx’s inception in 2015, Bromberg Hawkings was Tom Ford’s senior vice president for communicat­ions for many years — including the period when Ford was creative director at Gucci. But this career move was not a lifelong dream for Bromberg Hawkings. ‘People ask me, “Did you always want to work in flowers?” No! Flowerbx was more of a solution to a problem that I had,’ she reveals. ‘I was a working mother, buying clothes, beauty products and groceries online, but if I wanted flowers I had to go to a market, which I simply didn’t have the time for.’ Besides not having availabili­ty in her day to source blooms to adorn her home, Bromberg Hawkings couldn’t find the style of flowers that she desired. ‘When I sent floral gifts while working in fashion, I always wanted simple, top-quality bouquets, such as pink ranunculus — a symbol of admiration — rather than a mixed bunch. And these places would always do something over the top. So that’s when I had the idea to create an online brand that sent flowers how flowers grow.’

And that’s exactly what she did. After realising that she couldn’t run a business alongside her demanding PR role, Bromberg Hawkings left Tom Ford and opened up an office at a warehouse in Acton, west London, for her and a small team specialisi­ng in nothing

but the best single stems. ‘I don’t know why florists always do these hotel-lobby-type displays — you can’t beat 20 peonies on your diningroom table, I don’t care how much money you have,’ she says. ‘We reference modern design, architectu­re and art because I don’t want to do flowers how others do them. I want my arrangemen­ts to be sculptural and new. Our signature is single-stem bunches, which allow you to create intrigue and depth. That’s how we make our flowers truly unforgetta­ble.’

Although it took seven years of perseveran­ce and hard work to build the elite customer base Flowerbx has today, its first significan­t order came within just three weeks of its opening. ‘The stylist Elizabeth Saltzman called me up and said, “Michael Kors is having a big dinner and taking over the River Café for the night. Can you provide the flowers?” I just had to say yes and figure it all out later because we didn’t have an events team at the time.’

It will come as no surprise that the evening was a huge success. Word spread throughout the industry and orders started coming in thick and fast, which led to Bromberg Hawkings taking on mammoth projects, including covering the four-storey façade of private members’ club Annabel’s in London with flowers, and creating a 90-metre floral chandelier for Louis Vuitton’s Paris Fashion Week show at the Palace of Versailles.

But even though she spends her days immersed in all things floral, Bromberg Hawkings won’t describe herself as a florist. ‘We may deal with fresh, high-quality, seasonal stems, but we are cut to order, sustainabl­e, and adhere to a zero-waste model. The brand, the logistics and the tech makes us unlike traditiona­l florists,’ she says.

She wouldn’t dream of revealing her favourite flower, as she says it would be akin to choosing a favourite child (although she did tell us that she currently has fringed tulips in her kitchen), but she provides a wonderful insight into the passion behind her work. ‘Flowers are the most symbolic object you can give to someone. There are few things that can convey emotion, love and gratitude quite like flowers. So we have a really powerful responsibi­lity because we are delivering someone else’s emotions. If someone is feeling really sad, it is our job to deliver them condolence­s. And I take my job very seriously because nothing lifts your spirits quite like flowers.’

In the same way, jewellery can help communicat­e powerful feelings, which is why we created this shoot in associatio­n with luxury jeweller Harry Winston — selecting pieces such as the intricate Forget-Me-Not necklace and radiant Sunflower bracelet. ‘Jewellery is one of the luxuries I still afford myself,’ Bromberg Hawkings says. ‘I don’t buy a lot of fashion any more because I want to be more sustainabl­e, but jewellery lasts forever if you invest in quality items. It can go to your children and then to their children. I have many pieces of my grandmothe­r’s jewellery, which I treasure. There’s nothing wasteful about that. It’s eternal.’

‘We have a powerful responsibi­lity because we are delivering someone’s emotions’

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 ?? ?? Harry Winston’s Forget-Me-Not collection celebrates the graceful shape of its namesake flower. Opposite: Flowerbx’s Whitney
Bromberg Hawkings
Harry Winston’s Forget-Me-Not collection celebrates the graceful shape of its namesake flower. Opposite: Flowerbx’s Whitney Bromberg Hawkings
 ?? ?? Harry Winston’s Sunflower collection reimagines the plant’s sunny silhouette in a three-dimensiona­l bloom
Harry Winston’s Sunflower collection reimagines the plant’s sunny silhouette in a three-dimensiona­l bloom

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