SOUND JUDGEMENT
THE LATEST ALBUM RELEASES RATED AND REVIEWED
THE mind boggles at how challenging it must be to make the monumental decision to finally draw a line under a 25-year career. Despite the neat and tidy round number of a quarter of a century well-served – delighting the world with their harmonious ballads and sing-along cover versions – Boyzone’s resolution to call it a day was not as straightforward as it may seem to outsiders.
“It took us a while to get to this decision to be honest,” confesses lead singer Ronan Keating.
“It’s not something you can decide overnight. It took us about six months of to-ing and fro-ing and making a decision that finally this is it. We’re 25 years at it now – it’s a good number.”
He adds: “But we’re not kids any more, you can’t do this sort of thing forever, and we wanted to go out on a high.
“We wanted to go out on our terms, and this felt like the right time to do that.”
It’s clear that for Ronan and bandmates Keith Duffy, Mikey Graham and Shane Lynch, who were part of the boyband alongside Stephen Gately until his death nine years ago, the time is right to mark the end of a successful career.
For their millions of devoted fans, their impending final curtain moment is a bitter pill to swallow, although the band members themselves aren’t feeling low about it. Not yet, anyway.
“It’s still very distant for us, so we’re not dwelling on it at the moment,” Keith explains.
“I’m sure as the date of the last show comes closer, we’re going to start getting a little bit worried, sad, emotional.”
And how could they not, considering all that time spent together?
Boyzone was formed in 1993 in Ireland by Louis Walsh and, despite a hilariously misguided TV debut on RTE’s The Late Late Show where they danced haphazardly in front of a bemused audience, they went on to score numerous number one singles and albums in both the UK and Ireland.
The group, Ireland’s answer to Take That, released a plethora of hit original songs, including Picture Of You, So Good and A Different Beat, as well as popular cover versions of tracks such as Father and Son, Words and Love Me For A Reason.
After spending the best part of the 1990s riding high they split in 1999 amid group tensions, but reformed in 2007 and went on to embark on a well-received reunion tour with later plans to release new music.
It was a happy comeback for the band as they sold out venues across the UK and Ireland, but they were hit by tragedy. Stephen Gately was just 33 when he died at his home in Majorca in 2009 from a congenital heart defect, sending shockwaves through the group and their fanbase. But from the sadness came a somewhat bittersweet positive, Keith reveals.
“I think the loss of Stephen made us all wake up a little bit and realise how important we are to each other, and how important we have been in the memories of our lives together,” he notes.
“There’s nobody else in the world that I could reminisce about my life to [other] than the boys because they were there for all of it – the good, the bad and the ugly.
“All our success we celebrated together. Every time that phone rang and we were told we just went number one, or we sold out our tour or whatever, it was always those memories Left to right: were spent together.”
He adds: “We embrace the fact that we have that camaraderie, that brotherhood, that friendship and we’re very blessed to have good friendship.”
Stephen – fondly referred to by the guys as Steo – is, of course, part of their final album. His instantly recognisable vocals are heard on a track called Dream, a reworking of a demo he recorded in 2002.
“It kind of happened by accident,” Ronan says, shedding light on how the poignant track came to be.
“We were making the record, we were in full flow and, in the process, a producer that Stephen wrote with about 16 years ago was clearing out boxes and found this old demo tape of a writing session that they’d done together, and that tape, and basically sent it in to us.
“He sent it in to the label and they played it to us and we were just blown away.
“We were like, this is fate. So we went into the studio and we pulled the track apart a bit, and made it into a more contemporary feel with our vocals, and rewrote the lyrics so that it worked.
“We kept Stephen’s original vocals and it’s just been perfect
– he always wanted the last word. We loved that about him, and it’s the last track on the album.”
■ Boyzone’s final album, Thank You and Goodnight, is out now. Their farewell tour of UK and Ireland kicks off in January.
JOOLS HOLLAND AND MARC ALMOND –
A LOVELY LIFE TO LIVE ★★★★★ JOOLS HOLLAND and Marc Almond have delivered big band-backed numbers, a handful of covers – including a jazzy version of Tainted Love – and a smattering of original tracks, each following that tried and tested jazz/blues formula.
Every new song sounds instantly familiar and Almond’s charmingly distinctive vocal adds a slightly edgier vibe to the record.
Their reworked take on Tainted Love instantly makes you wonder if the track was written to be a jazz number in the first place, and Almond truly shines on Edith Piaf’s Hymne A L’Amour.
I Lost My City, an original song about the duo’s love affair with London, is formulaic but on point. You can practically smell the cigarette smoke and whiskey in an old jazz and blues bar in the Downtown of somewhere or other.
BAUHAUS –
THE BELA SESSION EP ★★★★★ BAUHAUS could have been post-punk Bowie wannabes rather than Goth godfathers were it not for Bela Lugosi’s Dead. Now The Bela Sessions sees the original back on vinyl for the first time in more than 30 years plus unreleased tracks from their first recording session in early 1979.
The lead track still sounds massive, dub effects around a bassline while Peter Murphy sings devotions to everyone’s favourite Dracula. Essential if you don’t already have it in your collection.
FLEETWOOD MAC –
50 YEARS – DON’T STOP ★★★★★ IF ever there was a trip down memory lane, Fleetwood Mac’s 50 Years – Don’t Stop is the ultimate journey. The 50-track, 3-CD album takes you from the beginning of their musical journey right through to their later hits.
Tracks like Need Your Love So Bad are a reminder of the original blues sounds that defined them and within a few tracks you’re moving towards their rock sound and crowd-pleasers like Go Your Own Way and Little Lies that hold their own against any other hits on the current market.
With a UK tour next year it’s a pity they can’t play every song on this compilation.