A NATURAL passion
Angela Bunt has a love of owers and botanical art in her blood. Her London apartment beautifully showcases her collection of works, many of which were painted by her grandmother
Angela Bunt traces her ! rst forays into collecting vintage "ower prints to a book owned by her grandmother. It was devoted to the study of roses and was by the renowned botanical illustrator Pierre- Joseph Redouté. ‘ I was entranced by it, even as a young child, and would look through it, mesmerised by the exquisite detail. I carried the book around the world with me as I moved, before ! nally deciding to frame some and hang them in the bedroom so I could look at them every day.’ Those prints became the springboard for Angela’s burgeoning collection and she now has at least 40 around the "at, with more lined up at the framers. Angela has lived in this London apartment for 28 years – ! rst as a tenant, before eventually buying it 12 years later from her landlord. ‘ It was a shrine to Laura Ashley when I took it on,’ she laughs. ‘ But I fell in love with it. There are amazing, expansive
views over Tooting Common and it’s !ooded with natural light.’ A "er taking redundancy, Angela completed a course in interior design and set up her own consultancy. ‘ I use the ! at as my show home. As soon as potential clients walk through the front door and see the staircase runner – made from brightly coloured, striped Peruvian rugs – they’re hooked.’
When it came to decorating, Angela has taken inspiration from her parents and grandparents, who were all antiques collectors. Gallery walls are crammed with botanical prints, vintage oils picked up at !ea markets, new work by up-and- coming artists and wonderful !ower paintings by Angela’s grandmother, an amateur artist. ‘She would have been thrilled to see that I was displaying her work,’ says Angela. ‘Although she would have found some of the choices amusing, as her style changed over the years – going from watercolours of her garden before moving on to
Angela’s background instilled in her a passion for owers and she uses nature as inspiration for her colour schemes. ‘If it works outside, it’s going to work inside,’ she says.
oils and a much more !uid, abstract style. Whenever I hang a new one, it’s always a talking point.’
Angela arrived in London 40 years ago from her native New Zealand and, having married an Italian, moved to Italy for 10 years. Like so many before her, she was captivated by the quality of the light and the muted beauty of the buildings with their exterior ochres, terraco" as and deep reds and atmospheric interiors. ‘ I’m still drawn to Italian pieces, such as the chandelier in the kitchen – it’s a reminder of my time spent there.’
Back in London, she started work as a !orist – a natural choice given her upbringing. ‘ I was brought up in Christchurch and my grandfather was a !orist who rather coerced my 16-yearold father into helping out. He ended up doing it for 54 years.’ This background instilled in her a passion for !owers
and she learnt of their power to transform a space. Her collections of prints and !oral paintings are an extension of that and she uses nature as inspiration for her schemes. ‘ If it works outside, it’s going to work inside,’ she believes.
More exotic touches are do"ed through the house, with Indian objects a recurrent theme. ‘ Whenever I’m able, I visit Sunbury Antiques Market and head straight for a stall that sells quirky pieces from India, such as the wooden animals and glass paintings in the bathroom. Of course, it’s all about the colour, but also the simplicity and childlike quality of the work.’
Angela has plans to redo her kitchen but # nds that, with her hectic lifestyle, that may be some way o$. ‘ I seem to be busier than ever with the design business, which I love,’ she says. ‘ It would be fun, though, to have a new project for myself.’