Laid-back vintage

A lifelong love of pared-back design led Rebecca Lawson to decorate her London home with a muted colour scheme, exposed woods and layers of characterful decorative items, from vintage tin tiles to foliage- wound wreaths and slightly rusty old signs

For interiors blogger and sustainability expert Rebecca Lawson, the key to creating a relaxed and homely environment is to keep everything quite so! and neutral: natural wood "nishes for #oors and worktops, a muted colour pale$e for walls and tiling, and layers of cosy textiles. To this calm and cohesive backdrop she adds the quirky pieces, some of which might be found and foraged, that give it character. Rebecca is a dab hand at trawling antiques fairs and brocantes for the gently patinated vintage accessories that "ll her north London home. Walls are hung with vintage bus blinds and old advertising signs, shelves are home to a$ractive vigne$es featuring taxidermy, antique bo$les and seasonal #owers.

Rebecca and her husband Gareth bought their house in leafy Winchmore Hill seven years ago, when Rebecca was pregnant with their "rst child. ‘ We were in a one-bedroom #at at the time,’ she says, ‘and this was the only house we viewed: I decided on the spot that it was perfect.’ Unlike

the speedy purchase, the couple have taken their time over the renovation and decoration of the four-bed property. In fact, they waited two years a!er moving in before starting to put their mark on their home.

When it comes to building work, Rebecca believes in taking things slowly. ‘It’s worth living with things for a while,’ she says, ‘as this will allow you to work out not only what you want, but what’s actually best for a space.’ She took the same approach to the decor, allowing the rustic, reclaimed look that she was aiming for to develop over time. ‘Start with your neutrals on "oors and walls,’ she advises. ‘Then add in the furniture you love and gradually build in your favourite # nds from there.’

The kitchen, a 1980s conservatory, was the # rst really big change they made. ‘It just needed to be demolished,’ she says. ‘It was the biggest job we did and it was a huge relief to get it done.’ In its place is now a spacious kitchendiner with clean lines, painted cabinets and wooden worktops – an aesthetic that speaks of Rebecca’s lifelong love of Scandinavian design, fuelled by trips to Sweden, Norway and Denmark.

The same design elements that work so well in the kitchen have been employed throughout the house, where pale woods, foliage, a soothing neutral colour scheme and whitewashed vintage furniture combine to create a relaxed feel in each room. This unfussy approach has allowed for a natural evolution of the aesthetic and in recent years Rebecca has begun to experiment with darker colours. ‘In the si$ing room we went from white walls to Farrow & Ball’s moody Railings. It’s so much cosier now.’

‘Some of my favourite items in the house, and the pieces that give it the most character, are the vintage treasures that I hunted out at antiques markets’

Similarly, Hague Blue contrasts with white tiles in the industrial-style family bathroom – Rebecca’s favourite room in the house. ‘ The roll-top bath was a £ 25 eBay bargain. I then got the builder to weld some taps from copper piping. It was all so easy to create and on a tiny budget, too,’ she says.

Texture is an important element for Rebecca and it’s much in evidence throughout the house. Carefully chosen accessories complement and contrast with one another providing visual interest in every room: old tin tiles, so! velvet sofas, dried "owers and industrial pendant lamps.

‘ I adore anything rusty,’ Rebecca says. ‘ It’s the raw touches that add character and style. And they don’t cost a thing to the environment either.’

Her favourite items are the vintage treasures she has hunted out at antiques markets and brocantes# ‘ They’re decades old and have great stories a$ached,’ she says, adding that she % nds it satisfying to give them a new lease of life. And now with the house completed, the couple have recently begun the slow process of breathing life into their new home and you can follow Rebecca’s progress on her blog, malmoandmoss.com

ABOVE LEFT There’s an industrial feel to the kitchen, which the Smeg fridge and patinated vintage postal sign tap into. ABOVE RIGHT Shelves made from reclaimed timber display mini vignettes of boxed vintage taxidermy, a vintage letter ‘S’ and old blue glass bottles.

FACING PAGE, CLOCKWISE FROM TOP LEFT Painted floorboards and a large L-shaped sofa from Habitat create a rustic spot for Rebecca and Gareth’s three boys to relax after school. Rebecca found the vintage tin tiles on the wall at a local salvage yard; Gareth’s black and white photographs are displayed in the living room alcove, along with decorative stars. Find similar Amish barn stars (made from recycled tin sheets, originally used in old barns) from Vinterior; Rebecca made the wreath using foliage found locally; the traditional fireplace is inset with tiles from Bert & May.

RIGHT For a crisp and modern feel, and in keeping with the Scandinavian aesthetic, the couple opted for a stonecoloured handleless kitchen by German make Schüller. Find similar vintage factory lights at Otto’s Antiques. BELOW The floor tiles, which were sourced from Mosaic Factory, make a statement in the entrance hall. Vintage bus blinds and a rusty lantern add character.

A tasselled chandelier makes a statement in the cool-toned loft bedroom, featuring an upholstered bed from Button & Sprung. Wood panelling paired with layered cushions and natural sheepskins taps into Rebecca’s love of cosy Scandinavian decor.

ABOVE A gallery wall of contemporary photographs echoes the soothing grey tones in the spare bedroom. A vintagestyle chest of drawers and displays of dried flowers give the space a gently sophisticated edge. LEFT Rebecca believes that soft homewares in neutral colours are key to creating an inviting home environment. And this bedroom, with its curved upholstered headboard, reclaimed vintage bedside tables, festoon lights and cushions in natural Mongolian sheepskin, embraces the look perfectly.

ABOVE LEFT Accessories and storage pots in brushed brass lend a luxe feel to Rebecca’s bathroom storage, especially alongside walls painted in Farrow & Ball’s rich Hague Blue. ABOVE RIGHT The en suite shower room features glossy metro tiles from Topps Tiles in a herringbone design, and a striking contemporary concrete sink from Kast Concrete Basins. A vintage bevelled mirror flanked by industrial ship’s lamps from Dowsing & Reynolds completes the look. LEFT According to Rebecca, it’s the raw finish of patinated antique and vintage pieces that brings character to her home.