HOME IS WHERE THE HEART IS

Interior designer Polly Fry has used her skill and vision to make her house the family home of her dreams

With her talent for design and decoration, writer and interior designer Polly Fry has transformed a rambling late 17th-century Dorset farmhouse into a home full of colour, character and collectables

Si!ing on the terrace of her beautiful Dorset home, Polly Fry admits that she has never been one to go about things in the conventional way, and "nding a smaller home for herself and her "ve daughters following her divorce was no exception.

She couldn’t bear to stray far from the area in which she’d put down roots 30 years earlier, she explains. ‘All the friends I’d made and whose children’s lives have continued to be entwined with those of my children are far too important for me to have upped sticks and moved away.’ But rather than enlisting the help of local estate agents, Polly started scouring the local lanes for her future home, which needed to be large enough for each of her children to have a room of their own. ‘I wanted it to be their home, not just somewhere to stay for the weekend,’ she explains.

A #er much sleuthing, she found exactly what she was looking for, tucked away in a local backwater she hadn’t been aware of. ‘I knew immediately that this was where I wanted to live!’ It was perfect, she recalls. ‘ With a plaque dated 1698 on the façade, all that was lacking was a pair of stone dogs on either side of the front door!’ And by extraordinary coincidence, later that same a #ernoon, she happened to come across a pair of dogs in a junk shop. ‘I bought them, u!erly convinced that they’d soon be outside our new home.’ So far so perfect. There was, however, one small problem. The house wasn’t for sale.

Polly is nothing if not determined and she enlisted the help of a friend who lived in the village, who took to walking her dog past the house. And it was on one of these ‘walks’ that a chance conversation allowed her to mention to the owner that if he was ever thinking of selling, she knew someone who was interested in buying. He suggested that Polly might take a look, but his wife was less keen and so the viewing never happened and she was forced to bide her time. ‘Over the ensuing months I would o#en do a slow drive by, blissfully imagining myself as mistress of the house, hanging out the washing or weeding the borders,’ says Polly. ‘Once, with my daughter, I stopped outside and asked her to check the phone signal. She $ atly reminded me that as we hadn’t sold our old house, we couldn’t buy even if it were on the market. And as I hadn’t even been inside, it was most de" nitely not my home, so the phone signal was immaterial.’

Undeterred, Polly continued to keep an eye on the property and later that year noted a decorator’s van and a skip in the drive. Her friend in thevillage made enquiries and learnt that the family’s youngest child had just le# home. Was the house being freshened up prior to being sold, Polly wondered? Fortunately, she had at last found a buyer for her own home and, as soon as contracts were exchanged, she made a hasty visit to the owners and discovered to her delight that the house was about to go on the market. ‘ They invited me in to take a look around,’ she recalls, ‘and everything was just how I’d imagined it.’ Knowing that with one or two alterations it would be perfection, she agreed a price and a few weeks later Polly and the stone dogs moved in.

‘It was an emotional moment leaving the lovely house where we’d lived for some 30 years. But I was overwhelmed with joy and relief that I had the prospect of a new life and a new home to look forward to,’ she says and, three years on, she is still elated, pointing out that the move forced her to be ruthless about disposing of possessions. ‘ I had already got rid of a vast amount before we le# the old house, but then realised that I’d hardly scratched the surface and stupidly had spent a small fortune pu!ing things into storage that would never be used again. The golden rule of William Morris has to be obeyed: “Have nothing in your house that you do not know to be useful, or believe to be beautiful”.’

To adapt the property to suit the needs of her convivial family, Polly converted what had been an adjoining garage into a spacious kitchen- dining room, where the understated design of the painted cabinetry allows her collections of art and ceramics their full impact. ‘ The existing kitchen was too small,’ she explains. ‘ When the girls are home with boyfriends and husbands in tow, we are 12 or more around the table.’ The original kitchen and adjoining conservatory dining area has been remodelled and is now a sunny spot for co%ee, writing and relaxing with friends. ‘ When I have grandchildren that’s where they’ll do their Lego and colouring in,’ says Polly, thinking ahead.

Whilst most of the furniture was recycled from her previous home, Polly has updated the look by incorporating new pieces such as the velvetcovered sofas in the si!ing room – one in a dusty pink, the other grey. A matching pair in the same colour would have been a more conventional choice, but Polly has an innate talent for making her home and those of her clients look as if they’ve evolved over years rather than months. Mindful of her budget, Polly used the internet along with local auctions and antiques fairs to source accessories and furniture, o#en on a ‘more dash than cash’ basis. ‘ It’s about being able to visualise how

something will look in situ and having the con !dence to buy when you know it’s right.’ The e"ect might look as if it’s a happy accident, she explains, ‘ but I’m constantly rearranging much-loved pieces to give them a fresh look.’ She admits to a particular weakness for vintage needlework and textiles. ‘ I have a hoard of quilts and bed covers which are my way of instantly transforming a bedroom. Some of the more decorative pieces of furniture I inherited, whilst others I’ve sourced over the years from auctions, fairs and junk shops.’ Her grandfather was the artist Geo" rey Grinling and she has a number of his paintings, while much of the beautiful china came from her grandmother. ‘ Decorative prints of birds and #owers are something else I have a love of, so they also feature strongly,’ she adds.

A $er a year or more of planning, building and decorating, the house is now more or less as Polly wants it. Not long ago, one of her daughters came to stay with her boyfriend and as she sat down to breakfast she said the house felt more like home than the old one ever did. ‘I cried tears of joy inside,’ says Polly. ‘ We had made something lovely out of heartbreak.’

Polly has done a good deal of work beyond the house as well. Now, in addition to the stone dogs, there is a stream, ‘something I’ve always coveted, even though it’s only a couple of feet wide and one inch deep’, she laughs, and she has planted a lovely wisteria, something she’d never been able to grow despite years of trying. The views are ! lled with a neighbour’s sheep, ‘munching their way across my horizon’. It transpires that the neighbour’s children were at school with Polly’s daughters. ‘ The last few years have hardly been a bed of roses but every morning when I open my curtains I feel truly blessed.’ She feels part of a community, she says. ‘And being in a village where I can walk to the pub to meet friends for lunch is a delight. I hope I can provide a home for my girls for many years to come and we can together see where the sheep safely graze. A $er many ‘sheepless’ nights, I now know and feel comforted that when my girls tap their red sequinned shoes together, humming “There’s no place like home” this is the home they are dreaming and longing for.’ Polly has her own interior design company, Polly Fry Interiors. Contact her on pollyfry@pollyfry.com

The exterior of the rambling 17th-century stone-built farmhouse has been extended over the centuries. The section in the foreground, formerly the garage, was converted to become the spacious kitchendining area with French doors opening to steps down to the terrace.

FEATURE AMANDA HARLING PHOTOGRAPHS ANDREAS VON EINSIEDEL

CLOCKWISE FROM TOP LEFT Beneath the overhanging roof and against a backdrop of stone walls, planters and urns filled with lush greenery are guarded by the stone dogs Polly bought before she owned the house; a mother-of-pearl chest of drawers and an eye-catching taxidermy fox and parrot welcome visitors in the stone-flagged front hall; the focal point of the sitting room is the fireplace, which Polly sourced from a reclamation yard. A leather-covered club fender adds a traditional finishing touch. Art, decorative furniture, including a mismatched pair of velvet sofas, and an idiosyncratic collection of objects are arranged in a seemingly random fashion, but the result is balanced and full of eye-catching interest.

CLOCKWISE FROM TOP LEFT A mass of orchids along with a pair of vintage bluebell-coloured Terre D’Hautaniboul ceiling lights add the finishing touch to the new kitchen designed and made by Guild Anderson. For similar lights try The French House. The walls are painted in Little Greene’s Linen Wash, which provides a neutral background for Polly’s collections; Polly has built a large collection of china over the years and this striking blue and white striped tea set came from her grandmother; the conservatory enjoys fabulous views across the Dorset countryside. The floor is tiled in Scintilla Star from Tiles Direct; pink lustreware makes a pretty display in a painted corner cabinet in the kitchen.

Although Polly had to give lots of things away when she moved, her collection of much-loved china and porcelain survived the cull and is displayed on the large painted dresser and in other pretty cabinets around the kitchen.

Mindful of her budget, Polly used the internet along with local auctions and antiques fairs to source accessories and furniture

ABOVE An impressive collection of antique and vintage jugs line a shallow shelf that spans the width of the bathroom. The large jungle print that hangs between a pair of tall mirrors is printed on canvas and came from Arbol House. The mirrors are from Cox & Cox. FACING PAGE A splendidly over-the-top chandelier accentuates the height of a beamed attic bedroom in the oldest part of the house. A citrus yellow button-back sofa adds a zesty note of colour alongside the vintage rugs and floral fabrics, such as the vintage blue toile headboard. Textiles are one of Polly’s weaknesses, she says, and she buys regularly from auction, particularly quilts and bed covers as they can immediately transform a room.

CLOCKWISE FROM TOP LEFT Walls painted in Farrow & Ball’s Pale Powder create a sense of continuity and calm in Polly’s bedroom, dressing room and bathroom (on the previous page). Her love of vintage fabrics can be seen in the combination of curtains, quilt and bedhead. The set of framed bird prints is from OKA and the beautiful painted Italian chest of drawers once belonged to her grandmother. The painting of a streetscape is by her grandfather, Geoffrey Grinling; in Augusta’s bedroom, which is also painted in Farrow & Ball’s Pale Powder, a medley of designs ranging from the floral linen curtain fabric to the framed prints give the room a timeless, feminine look. The four-poster was her grandmother’s.

TOP RIGHT Polly at home in her garden with its beautiful views across the countryside. BOTTOM RIGHT Polly has enjoyed making her mark on the garden, as well as the house, and an elephant has joined the stone dogs as part of the sculptural menagerie.