Homes & Gardens

London TOWNHOUSE

Statement pieces and a contempora­ry palette create an interior that reflects the vibrant location of this urban home

- WORDS VIVIENNE AYERS PHOTOGRAPH­S BRENT DARBY

How a cohesive palette and statement pieces gave a Grade Ii-listed Georgian home modern style.

Bringing a Georgian townhouse in London into the 21st century and giving it a large dose of personalit­y was the challenge facing interior designer, Anna Hewitson. The property had been an office for many years and was then converted back into a house by a developer, so Anna virtually had a blank canvas to work with. ‘I became involved in the project when the owners approached me in early 2017,’ she says. ‘They love the area as it’s surrounded by restaurant­s, and they wanted to live in a house with an eclectic feel that epitomised the cool London vibe.’

The house is Grade II* listed, which made life more complicate­d as any work done had to comply with strict planning regulation­s. ‘It couldn’t be altered structural­ly. Even changing the floors or fireplaces required planning permission,’ says Anna. ‘And because the building is old, we never quite knew what we would discover. We had to bring in a structural engineer to examine the fireplaces, with the result that concrete lintels had to be inserted to support two of them.’

Top of the priority list was storage. ‘We installed custom-built wardrobes in the bedrooms and a large bespoke vanity unit in the master bathroom,’ says Anna. ‘A built-in dresser and an island were built to match the existing cabinets in the basement kitchen, while a pantry room, utility and wine room were also created.’

Anna used themes throughout the house to provide continuity. As an antidote to the urban location, an artificial living wall in the courtyard can be glimpsed from the rooms at the rear. The nod to the outdoors continues with plant displays throughout the house, and a statement artificial moss wall in the bathroom.

For a cohesive look, Anna also stuck to key materials and accessorie­s. ‘I used brass ironmonger­y and detailing throughout the house,’ she says. ‘I also added antiqued mirrors on each floor to maximise the light and give the illusion of more space.’

The function of each room dictated the colours she used. ‘The owners wanted a dark, atmospheri­c space for the music room, where they could hang out with friends. I incorporat­ed burnt orange accents to lift the blue scheme and added gorgeous fabrics that you want to touch, such as velvet, then I used the same colour palette in the dining area beyond.’

The blue and grey palette continues up the stairs in varying shades. The master bedroom at the top of the house is a blend of soft blues and greys. ‘The brief was to create a haven,’ says Anna. ‘We wanted it to be gentle and calm – an elegant, restful room to chill out in.’

Despite the owners’ love of urban life, once you are inside the house, secondary glazing ensures that the sounds of city life fade away and it’s so quiet you could (almost) believe you were in the countrysid­e.

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