The new neutrals: getting paler tones right

WHILE some decorators instinctively lean towards pale yellows, and others where green meets grey, many agree that new neutrals are largely inspired by colours emanating from the natural world, which help us to feel grounded in our homes. ‘They also comprise ivory base notes and a scattering of additional tones including rust, pink, beige, mustard and burnt orange,’ says Charu Gandhi, founder and director of Elicyon. ‘Not to be confused with cold and bland palettes, new neutrals are warm by nature,’ adds Charu. ‘Typically matt in finish, they have the ability to flex, and so it’s possible for them to suit any type of home, be it traditional or contemporary – in fact, their elasticity is the reason we’re calling them “new”.’ For a warmer, cosier aesthetic, consider a red-based neutral shade such as Wimborne White or Dimity by Farrow & Ball, recommends Louise Wicksteed, design director at Sims Hilditch.

Even when working with neutrals, colour choices need to be site specific, adds interior decorator Rachel Chudley whose colour studio creates custom paint colours for clients. ‘We think that pale biscuits or very light pinks are ideal for south-facing rooms which have plenty of light – not only do they filter the light beautifully, but they also add to a feeling of calm and relaxation, perfect for a bedroom environment. ‘When working with neutrals, my only rule is to steer clear of white walls,’ continues Rachel. ‘They work well in galleries for the very reason that they create a blank canvas, which is perfect for focusing on one piece of art, uninterrupted by anything. However, in a living space, you need a touch of colour to add a bit more depth and reflect the light around the room.’

Irene Gunter, founder of Gunter & Co, agrees: ‘I often find, especially with a neutral background, that adding in pops of colour can add so much personality of your own to a space by choosing colours you love and tying those in with the cardinal directions of each room to make sure they complement the natural light (or lack thereof) in each room.’

Subtle nuances of colour are why James Thurstan Waterworth, founder of Thurstan, favours neutral colours in his schemes because they create a soft springboard from which antiques, art and other embellishments are able to sing. ‘You can then build out from here with tactile surfaces, patterned textiles, eclectic furnishings and more modern flourishes to create layers of interest, while still allowing all the individual elements of the interior to breathe.’

When it comes to selecting more neutral paint shades, it’s important to get the mineral balance right, believes Tom Cox, co-founder of HÁM interiors. ‘We like to look at the pigment and depth of colour in a paint – too often a shade will have too much grey or brown as undertones, which can then be challenging when adding the layers of furniture and finishing touches. We try to make the backdrop subtle so furniture and carpets sit harmoniously. We also like to paint the ceiling, walls and skirting in the same hue – it stops awkward visual breaks and enhances architectural details in an understated way.’ →

“I GRAVITATE TOWARDS NATURAL PALETTES, AND MATERIALS TOO, AS FOR ME THEY BRING A CERTAIN

TIMELESSNESS AND LONGEVITY TO DESIGN” JAMES THURSTAN WATERWORTH,

founder of Thurstan