House Beautiful (UK)

MY STYLE INSPIRATIO­NS Ruth Wasserman from Made.com

The design director at Made.com on storytelli­ng, the evolution of the home and making great design accessible

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EARLY AMBITIONS

As a schoolgirl, I knew I wanted to work in design, but growing up in an academic household, it felt like a rebellion! Nonetheles­s, my parents are both pretty handy – each making furniture – and my mum taught me to sew my own clothes. I studied furniture design and technology at university, but soon realised that I’m driven much more by storytelli­ng and the human element of people’s homes, than by just designing.

CHASING

THE DREAM

I live in St Albans in Hertfordsh­ire with my husband and son. It’s a beautiful old town with a lot of history and a vibrant community. When we moved here, however, I thought of our home as quite a transient place and therefore haven’t put much energy into it yet. I do have a clear vision of my dream house though – a rust-clad Modernist home in the middle of a Spanish desert, with dry cactus landscapin­g and an interior similar to one of the Experiment­al Hotels by designer Dorothée Meilichzon.

THE BIGGER PICTURE

For a long time, I’ve been an admirer of Mary Portas’ approach to retail, and what she terms ‘the kindness economy’ – making people and the planet as important as profit. I was also fortunate to work with Terence Conran and found his revolution­ary approach to retail for the home inspiratio­nal.

DESIGN INFLUENCES

I love the work of Patricia Urquiola and Paola Navone – both architects and designers – who have a contempora­ry style that references tradition in new and clever ways. There are many emerging designers I admire too, such as Eny Lee Parker and Egg Collective. I also look for inspiratio­n in the hotels, restaurant­s and galleries I visit, as well as the lifestyles of the local people. It’s fascinatin­g to see the subtle difference­s across various cities around the globe, and it’s important for us to consider this when designing for multiple markets. Making high end design accessible to a wide audience is key at Made.

CHANGE AND EVOLUTION

2020 presented us with the opportunit­y to think about the way we live. This has manifested in a desire to make the most of our spaces, maximising every function for our daily needs. Where possible, people are also buying less, but better, investing in pieces that have a strong emotional value with a view to keeping them for generation­s to come. Carving out sanctuary spaces has become much more important and people are turning to natural colours and materials to achieve this. White palettes have been amazingly popular – and we’ve seen shoppers lean on textures, such as bouclé and sheepskin to add warmth.

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 ??  ?? Above Ruth had the pleasure of working with Sir Terence Conran Left A Paola Navone creation on display at Milan Design Week 2011
Above Ruth had the pleasure of working with Sir Terence Conran Left A Paola Navone creation on display at Milan Design Week 2011
 ??  ?? Above Ruth Below and right Designs such as these Crinoline chairs by Patricia Urquiola and the two-armed candlestic­k by Paola Navone have inspired Ruth
Above Ruth Below and right Designs such as these Crinoline chairs by Patricia Urquiola and the two-armed candlestic­k by Paola Navone have inspired Ruth

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