ITALIA! Magazine

Mas A PERFUME Masterclas­s

While he was in Venice researchin­g this feature, Mark attended a perfume-making masterclas­s given by Joan Giacomin at The Merchant of Venice

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As you enter The Merchant of Venice, there is an inevitable aroma in the air; beautiful bottles, glowing emerald green, sapphire blue and amber orange sit upon shelves, offering a hint of ancient and oriental aromas that combine to produce mesmerisin­g scents. Upstairs on wooden shelves in the perfumery studio are interestin­gly-shaped vase-like objects, seemingly for smelling the subtle difference­s in aromas and set next to a large alabaster nose.

The scents, now a brand of the Vidal family, are inspired by the journeys of returning 11th-century Venetian merchants.

The Merchant of Venice perfumery masterclas­s offers a unique opportunit­y to gain an insight into the elements that make up a fragrance, covering the early skills of the Eg yptians and Arabian perfumers, through to modern-day techniques. Before an alcove with bottles of perfume elements, Joan Giacomin explains how they can be brought together in different quantities to create appealing fragrances to suit an individual’s skin and preference­s. And while the nose will be our guide, Joan soon clarifies where the real knowledge lies.

“We are born with the nose,” she tells us, “but it is the brain that does the work and has the knowledge and expertise. You can educate the brain with study.”

TAKING NOTE

Perfumery ingredient­s include a base, heart and top ‘note’. It is these that the expert perfumer uses to balance when creating a scent that is distinct, yet not overpoweri­ng, and one that offers character but does not intrude.

As perfume is a blend of raw materials that complement each other, the Olfactory Pyramid is used by the perfume composer to describe the temporal developmen­t of a fragrance, its opening, its character and its lasting. The top note is the initial smell of a fragrance when first sprayed and lasts 5-20 minutes.

“The heart note disperses after the top note wears off and lasts around 30 minutes and is the ‘character’ of the perfume,” continues Joan. “The base note gives the perfume body and longevity and kicks in around 30 minutes later. This takes time to smell as it evaporates slowly.”

BESPOKE FRAGRANCE

Throughout the session, Joan demonstrat­es the aromas by dipping smelling tapers into fragrance to educate the nose. In her storytelli­ng, which vividly blends legend and history with scientific distilling and perfumery developmen­t, Joan expertly leads her ‘perfumery students’ to the course finale; designing and making our own very personalis­ed scent.

At the end of the masterclas­s, participan­ts are invited to pick out favourite aromas from a ‘palette’ of scents, which Joan expertly assesses. Drawing up a ‘recipe’, she calculates the right amounts of each ingredient which we concoct to create our own perfume to take home in a miniature bottle – in my case, a satisfying­ly fragrant essence dominated by the aromas of sweet orange and bergamot.

Once you see how it’s done, it all makes perfect ‘scents’.

The Olfactory Pyramid describes the temporal developmen­t of a fragrance

 ?? ?? Expert perfumier
Joan Giacomin at work
Expert perfumier Joan Giacomin at work
 ?? ?? The Olfactory Pyramid
Ready for the Merchant of Venice perfume masterclas­s
Mark mixes his special fragrance
The Olfactory Pyramid Ready for the Merchant of Venice perfume masterclas­s Mark mixes his special fragrance

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