Kent Messenger Maidstone

Move carriages to our museum

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I fully support David Wigg’s call for the Tyrwhitt Drake Museum of Carriages to be relocated to better premises (‘Call to put unique carriage collection on centre stage’, KM, February 24). This collection, not just of local or even county-wide importance but of national significan­ce, has for the last 75 years been kept in the most unsuitable conditions imaginable, in an unmodernis­ed mediaeval building by the side of a major trunk road in one of the most polluted areas of Maidstone. These historic carriages are constructe­d of wood, leather, textiles and iron, all materials which are subject to damage by constantly changing humidity and temperatur­e; in addition it is impossible to exclude damaging insect pests from the building. Perhaps the only good thing which can be said for the windowless Archbishop’s

Stables is that it prevents all exposure to the highly damaging effects of sunlight, thus to move the collection to a glass box at Cobtree would, I suggest, in many ways be a move from the frying pan to the fire. Afar better solution would be to move the collection to an extension to Maidstone Museum where it could be provided with the environmen­tally controlled conditions needed to ensure its longevity.

In addition it would be guaranteed a far greater audience than it gets in its present unattracti­ve location one only needs to have visited Maidstone Museum over the recent school half term period to appreciate how buzzing with visitors it is.

Of course carriages take up a lot of space, which is not readily available at the museum currently.

However, for the Diamond Jubilee of Queen Victoria an extension was built onto the museum building to provide accommodat­ion for a public library (in space now taken over by the museum) and for a school of art, in space now occupied by the Adult Education Centre (AEC).

There have, though, long been rumours of the AEC relocating to other premises in which case this area too could be rededicate­d to museum use, with the extensive ground floor area being reconfigur­ed to display the carriage collection (and in a much more imaginativ­e and attractive way than is now possible in the Archbishop’s Stables).

A single centralise­d Museum & Art Gallery complex would provide economies of scale and make management and profession­al curatorial oversight simpler as well as providing an even bigger attraction to draw in further visitors.

There could be additional benefits through improved community use of the enlarged premises.

The Kent Archaeolog­ical Society (KAS) currently shares the use of the museum building to house its library and to display its archaeolog­ical collection­s alongside those of Maidstone Museum, but lack of space is forcing it to consider relocating to alternativ­e premises - a great loss to both parties.

The upper floor of the current AEC could be used to provide enlarged quarters for the KAS and also provide similar areas and meeting spaces for other specialise­d community groups whose activities complement those of the Museum & Art Gallery, such as the Friends of the Museum, the Kent Field Club, the Kent Geologists Group, the Kent Ornitholog­ical Society and many others.

Queen Victoria’s Diamond Jubilee was commemorat­ed a century ago by extending the museum: what better way could there be to commemorat­e the Platinum Jubilee of Queen Elizabeth II than by refurbishi­ng that extension for the benefit of citizens and visitors over the next hundred years?

Henry Middleton

Oakwood Court, Maidstone

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