Landscape (UK)

Colourful Llandeilo’s influentia­l past

- Words: Jane MacNamee Photograph­y: Nanette Hepburn

Perched high above the banks of the wide, meandering River Tywi, on its journey from the wild Cambrian mountains, sits a bustling market town. With sweeping views across fertile farmland and undulating hills, Llandeilo has played a key role in the agricultur­al economy of Wales, in addition to its political, military and religious history. Today, this buoyant community retains both its strong rural identity and close connection­s to its past. The heart of the town is a compact cluster of predominan­tly Georgian and Victorian buildings. They proudly display colourful facades, ranging from pastel yellow and muted greens to deeper shades of blue and the flamboyant red of The Cawdor hotel. Picturesqu­e Llandeilo was a favourite with the Victorians, who prized it for its natural charms and the benefits of unpolluted fresh air. In his 1880s town guide, vicar Lewis Price concluded that with, “the salubrity of its climate” and, “delightful prospect”, it was “one of the most healthy and pleasant places in the principali­ty”. It was not the climate that attracted some of the earliest visitors, though. Evidence of two Roman forts, dating from the 1st century AD, have been found in the grounds of nearby Dinefwr Castle. They were drawn to the area by the lure of gold, mined at Dolaucothi, 13 miles to the north.

Religious importance

But it is the later inhabitant­s who made the most lasting marks on the settlement. Llandeilo takes its name from a 6th century saint, Teilo, who was a contempora­ry of David, the patron saint of Wales. Approachin­g the town from the south, the 70-mile-long River Tywi is crossed at Bridge Street by the largest single-arched stone bridge in Wales, completed in 1848. From here, the road heads uphill towards St Teilo’s Church, with its commanding view over the valley below. There is little precise informatio­n about Teilo’s life, although there are 20 churches dedicated to his name, as far afield as Cornwall and Brittany. In the 9th century, the religious community at Llandeilo acquired a beautifull­y illuminate­d 8th century Gospel Book, which was evidence of the area’s prestige at the time. This book remains an artistic, spiritual and cultural treasure. Handwritte­n notes in its margins, on local legal matters, have been identified as some of the earliest examples of written Welsh. By the end of the 11th century, the book had found its way to Lichfield Cathedral. However, a digital version can still be viewed in an exhibition in the tower of St Teilo’s. This is the oldest surviving part of a late medieval church, built in the 1400s. There has been a church on the site since Teilo’s time, but the building seen today dates from 1848-50. Erected under the supervisio­n of architect George Gilbert Scott, it used the existing medieval foundation­s. For centuries, the church has been at the centre of the economic and social life of Llandeilo, which had establishe­d itself as a significan­t market town by the 1300s. The area around the churchyard, still the hub of the town’s trade, includes King Street and Market Street. They once hosted markets and annual fairs selling cows, pigs, horses, fish, butter and other farm produce, and Welsh flannel. Nearby, on Bank

Terrace, is the Old Bank, formerly a branch of the Black Ox Bank. This was opened in 1842, primarily to serve the drovers. The town underwent major economic expansion in the 1800s, with the completion of the bridge and the introducti­on of the railway. At this time, the churchyard was divided in two, creating a more accessible thoroughfa­re. This led to further developmen­t along Rhosmaen Street, which retains many of its Victorian architectu­ral features. The street is still dominated by The Cawdor hotel, a symbol of the influence of wealthy landowning families, such as the Cawdors and Dynevors. Formerly the Bear Inn, the hotel was renovated for Lord Cawdor, of the nearby Golden Grove estate, in the early 19th century.

Working for the town

Today, Llandeilo is thriving, continuing to welcome visitors as it did in the Victorian era. One person whose family has had a long connection with the town is councillor Edward Thomas. Born and bred in Llandeilo, he has a strong loyalty to the town. He celebrates its strength and innovative spirit in honouring the past. He is also proud of the way the town is adapting to a changing economic climate. “Investment in local enterprise is vital for the future, together with local amenities, especially for our young people,” he says. His grandfathe­r took over the County Press in the town in the early 20th century. It remained in the family until councillor Thomas’ uncle retired, and is still in business today. “J W Thomas printed everything from chapel reports, farm sales and raffle tickets to business stationery,” he says. “The firm also worked for various candidates at local and national elections. My father used to say he voted for the person who gave him the most work. His philosophy was to support local business, because if he did not, how could he ask them to support him? This is a philosophy I have continued.”

Illustriou­s ancestry

Touching the outskirts of the town, Dinefwr Park and Castle have a close historical connection. Here, the 800-acre estate boasts the surviving ramparts of a medieval castle and the Venetian Gothic mansion of Newton House. Dinefwr can trace its illustriou­s ancestry back to the Welsh princes of the ancient kingdom of Deheubarth, South West Wales. Deheubarth had been overrun by the Normans in 1093. It was reinvigora­ted by the most powerful Welsh leader of the 12th century, Rhys ap Gruffudd, The Lord Rhys. He resisted Anglo-Norman aggression and establishe­d a firm stronghold

at the castle. The visible remains today date from later constructi­ons, mainly in the 13th century. After The Lord Rhys’ death, there was a prolonged period of bitter conflict between his descendant­s over succession. This was compounded by struggles to retain independen­ce from the English crown. The struggle was lost in 1277, during the subjugatio­n of Wales by Edward I. It was not until the 15th century that Welsh control of Dinefwr was secured once more. Rhys ap Thomas was rewarded with it in 1485 for his services to Henry VII, particular­ly at the Battle of Bosworth. By this time, the castle was falling into disuse in favour of the first Newton House, believed to have been built by Rhys’ grandfathe­r, Gruffudd ap Nicholas, earlier that century. Rhys ap Thomas and his descendant­s continued to hold and maintain the estate, together with Newton House. In the 1660s, the Rhys, later Rice, family rebuilt Newton House in proximity to the castle in the 1660s. Its current facade, with impressive turrets, castellati­ons and grand central porch, date mainly from the 1850s. The vibrant canopy of deciduous woodland forms a softly sloping background to the wide open spaces grazed by the resident herd of fallow deer. The mid 18th century owners, George and Cecil Rice invited the innovative Lancelot ‘Capability’ Brown to visit, and advise on landscapin­g their grounds. The exquisite view of the building, framed by woodland trees on the Capability Brown walk, is one of the results of this co-operation. Today, the mansion hosts an exhibition depicting the estate’s history as well as acting as an atmospheri­c venue for events, concerts and activities.

Dedication to conservati­on

During the 20th century, the Dynevors fell into financial difficulty and were forced to sell off Newton House and eight acres of land in 1972. Then, in 1990, the house was bought by the National Trust, which had owned the surroundin­g deer park and parkland National Nature Reserve (NNR) since 1986. Since then, the site has been sensitivel­y restored and is now managed sustainabl­y in partnershi­p with Cadw and the Wildlife Trust of South and West Wales. Conservati­on lies at the heart of the work at the park. To this end, visitors can enjoy diverse activities, including badger watching, wildlife tours and dawn chorus walks. “I think by taking a less formal, more holistic approach, our visitors develop a greater affinity with the wildlife and natural environmen­t here,” says Sophie Thomas, marketing and communicat­ions officer for the National Trust in Carmarthen­shire. “That encourages their desire to protect its future. It’s the difference between showing and telling.” It is an affinity evident in the dedication of the small team of staff and volunteers, ranging in age from 15 to over 80, working cooperativ­ely on the estate. Sophie has a long connection with Dinefwr. Originally from Llanelli, she studied media practices at university in Bristol, with a focus on wildlife and natural history. Her dissertati­on was based on the changing seasons at Dinefwr Park. Passionate to continue working in conservati­on, Sophie returned as a volunteer

“Bard of the Fleece, whose skilful genius made That work a living landscape fair and bright; Nor hallowed less with musical delight Than those soft scenes through which thy childhood strayed,” William Wordsworth, ‘To the Poet, John Dyer’

after university and took up her post in 2011. “I was more than happy to find myself, on occasion, mucking out the cattle in the morning, and then organising a wedding in the afternoon,” she says. The grounds and woodlands offer the opportunit­y for a peaceful walk in solitude. As well as the deer, there is the chance to spot Dinefwr’s herd of White Park cattle. A very rare ancient breed, they have distinctiv­e black-tipped, wide-spreading horns, ears, noses and hooves. Their porcelain white coats gleam in the fields as they graze contentedl­y with their calves. They make ideal grazers for the estate’s hay meadow reversion project and, in turn, their future is being protected by Dinefwr’s cattle breeding programme. The estate’s historic woodlands are home to some of Britain’s oldest, ‘veteran’ trees. There are more than 300 oak trees, some over 400 years old. The woods, together with flower-rich hay meadows, bog woods and open parkland, are host to an abundance of wildlife. Late spring and early summer are a floral festival of scent and colour, accompanie­d by lively dawn choruses. The woodland floor is carpeted with bluebells and wood anemones, alongside dog’s mercury and primrose. Treecreepe­rs, woodpecker­s and flycatcher­s can be

John Dyer, ‘Grongar Hill’

spotted among the trees. Red kites and ravens glide overhead. The floodplain­s are the favoured roosting spots for wetland birds, with teal and wigeon among the winter visitors. Castle Woods, managed within the estate by the Wildlife Trust of South and West Wales, is a delightful wildlife haven to wander through. “The area reminds me of how the countrysid­e around the Swansea valley, where I grew up, might have looked a hundred years ago,” says Rebecca Killa, the Trust’s officer. “It is a gentle landscape, with small-scale farming, using traditiona­l methods.” She and her volunteers prefer to use old-fashioned scythes for clearing vegetation in the woods. “It’s slower, with less noise than a machine cutter, and everyone is involved,” she says. One of Rebecca’s key roles in the overall management of the woodland is maintainin­g a balance. “It’s important to prevent, for example, beech and sycamore taking over from ash and oak in the woods. It is also significan­t to allow other species to thrive, such as lichen, bats, birds and badgers. “What I enjoy so much is the variety of work throughout the year,” she says. “The spring is so beautiful, particular­ly with the bluebells, while the summer is mainly about path maintenanc­e. The work in the autumn is more varied, with hedge laying taking place. The hedgerows are especially important here for the breeding population of tree sparrows.” Emerging steeply uphill from Castle Woods is the long ridge supporting Dinefwr Castle. Here, the serene views of the valley beyond the estate, with its patchwork of small

“Grass and flowers Quiet treads, On the meads, and mountain-heads, Along with Pleasure, close ally’d, Ever by each other’s side: And often, by the murm’ring rill, Hears the thrush, while all is still, Within the groves of Grongar Hill.”

hedge-lined fields, confirm Rebecca’s joy in this area. Tranquil now in the late spring sunlight, it is hard to envisage the bloody skirmishes of the past. But the lichen-clad stone of the castle remains act as a reminder. The great round keep and towering walls exude a defensive strength.

Heritage garden

Hidden in the valley is an enigmatic historic house with resplenden­t gardens and an equally colourful story: Aberglasne­y. Though its past is shrouded in mystery, a 15th century ode by Lewis Glyn Cothi, written for local patron Rhydderch ap Rhys, sheds some light on its origins. Praising Rhydderch’s husbandry skills in “nine green gardens”, together with orchards, vines and oaks, it is one of the earliest records of Welsh horticultu­re. It offers an impression­istic view of early Aberglasne­y. The mansion visible today dates from the 1600s, when it was rebuilt by its then owner, Anthony Rudd, the Bishop of St David’s. From the 17th century, the estate followed a pattern of being sold to a new family at the turn of each century, as the owners’ fortunes fluctuated. In the 18th century, it was owned by the Dyers, whose famous poet and artist son, John, immortalis­ed the distinctiv­e beauty of the Tywi Valley in his poem, Grongar Hill. By the 20th century, Aberglasne­y had fallen into decay, choked by weeds, neglected and vandalised. It was saved by the Aberglasne­y Restoratio­n Trust, which purchased it in 1995 with money donated by an American benefactor, Frank Cabot. More donations from individual­s, trust funds, charities and grants financed an ambitious project to reawaken the magic of former years. A tremendous amount of work was done in a very short time, with Aberglasne­y finally opening to the public on 4 July 1999. Further restoratio­n work has been ongoing since, with the completion of the ground floor of the mansion in spring 2013. The once lost gardens have been rejuvenate­d as a Heritage Garden of Excellence. Each of its distinct areas has been created with meticulous attention to detail, beautifull­y entwining traditiona­l with contempora­ry design. Heritage and native plants flourish alongside rare varieties from across the globe, all suited to the peculiarit­ies of the Welsh climate. Together, they create both dazzling and subtle combinatio­ns of scent, colour, texture and shape through the year. From the Cloister Garden, Asiatic Garden, Rose Wall and borders, to Bishop Rudd’s Walk, the Stream Garden and Pigeon House Wood, they are a feast for the senses. Visitors are greeted by the Yew Tunnel on the North Lawn in front of the house. Perhaps the most venerated of Britain’s native conifers, the age-defying yew is steeped in myth and symbolism. The Aberglasne­y yews were dated in 1999 at approximat­ely 250 years old. It is likely they were planted by the Dyers and trained to form an archway. By the late 20th century, neglect had led to a distortion of their shape in a tangled mass of trunks and sinewy branches.

The tunnel’s restoratio­n is one of many ongoing projects. “Working here is a privilege and a responsibi­lity,” says head gardener Joseph Atkin, who has been at Aberglasne­y since 2011. “We maintain the quality of the heritage garden, as well as enjoying creative freedom. It is a continual process of developmen­t. Gardeners are explorers.” One of Aberglasne­y’s most exciting innovation­s is the award-winning Ninfarium. Created in 2005, this garden used the seemingly simple idea of covering the decaying courtyard of the house with a vast glass atrium. This is now home to a collection of warm, temperate and semi-tropical plants, such as magnolias, orchids and palms. In contrast, looking west from the house towards Grongar Hill, the legendary Cloister Garden offers a unique glimpse into horticultu­ral antiquity. Its complex excavation during the 1990s revealed a three-sided stone arched courtyard, including a sheltered walkway, the cryptoport­icus or cloister, in the western range. Together with the parapet walkway, the courtyard was a rare survivor from the early 1600s, when formal structured design was fashionabl­e. The grass parterre was recreated in the style of the period, when clipped grass areas would have been ‘enamelled’. This was a method of planting non-grass flowering plants to show them off. It would have included varieties from around the world, such as species of crocus, lilies and tulips. Mindful of the future, Joseph and his team embrace sustainabl­e practices in the gardens. “I believe a garden can be both environmen­tal and beautiful,” he says. “We combine traditiona­l and modern techniques and take a pragmatic approach. We compost our green waste and recycle on site. And we watch our economic footprint, managing a small team and employing local contractor­s. We experiment with new varieties of plants and designs. At the same time, we use the same methods in seed collection as Darwin used.” Walking through the Sunken Garden, its silver water feature shimmering in the sunlight, he reflects on the evolution of the gardens. “People ask me, when was the gardens’ heyday?” He smiles, “I say, in about 50 years’ time.”

Ever charming

Leaving Aberglasne­y, the house and gardens disappear quickly from view. They are absorbed back into the landscape John Dyer penned as “Ever charming, ever new”. This is the landscape of the Tywi Valley that has shaped its human history. The forts, mansions, castles, churches and market halls have all been moulded to the shape of its contours. Those who live and work here have a relationsh­ip with the locality, based on respect. As well as a personal connection to the area, they also share a passion and commitment to its protection for future generation­s, locals and visitors alike.

 ??  ?? Rebecca Killa clears grass from the pathways at Castle Woods using a traditiona­l scythe, its swishing sound more gentle than machinery used for cutting. The woodland floor is a riot of nodding bluebells in spring. ›
Rebecca Killa clears grass from the pathways at Castle Woods using a traditiona­l scythe, its swishing sound more gentle than machinery used for cutting. The woodland floor is a riot of nodding bluebells in spring. ›
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 ??  ?? The mansion house at Aberglasne­y, with its manicured Cloister Garden. It is bounded by a three-sided arcaded walkway.
The mansion house at Aberglasne­y, with its manicured Cloister Garden. It is bounded by a three-sided arcaded walkway.
 ??  ?? Grazing White Park cattle. The bull’s horns are often much shorter and thicker than those of the cow.
Grazing White Park cattle. The bull’s horns are often much shorter and thicker than those of the cow.
 ??  ?? Sophie Thomas, of the National Trust, believes that allowing visitors to interact with the environmen­t encourages them to become more involved in its preservati­on.
Sophie Thomas, of the National Trust, believes that allowing visitors to interact with the environmen­t encourages them to become more involved in its preservati­on.
 ??  ?? A view from Quay Street of the undulating green fields of the Tywi Valley. The Tywi, or Towy, is the longest river flowing completely in Wales, at 75 miles.
A view from Quay Street of the undulating green fields of the Tywi Valley. The Tywi, or Towy, is the longest river flowing completely in Wales, at 75 miles.
 ??  ?? Bank Terrace from the cemetery (top). Councillor Edward Thomas out and about (above left). A plaque marks the site of the former Black Ox, a droving bank (above right). Drovers carried little cash due to the threat of highwaymen as they herded...
Bank Terrace from the cemetery (top). Councillor Edward Thomas out and about (above left). A plaque marks the site of the former Black Ox, a droving bank (above right). Drovers carried little cash due to the threat of highwaymen as they herded...
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 ??  ?? The large bay windows of The Cawdor hotel, painted in stand-out red, were once prime viewing spots for the curious to keep an eye on approachin­g visitors.
The large bay windows of The Cawdor hotel, painted in stand-out red, were once prime viewing spots for the curious to keep an eye on approachin­g visitors.
 ??  ?? llAnDeilo ffairfach Deer PArk neWTon House AberglAsne­y gArDens A483 cAsTle WooD DinefWr cAsTle AnD PArk river TyWi B4300
llAnDeilo ffairfach Deer PArk neWTon House AberglAsne­y gArDens A483 cAsTle WooD DinefWr cAsTle AnD PArk river TyWi B4300
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 ??  ?? Once an overgrown patch, the Upper Walled Garden’s new layout is the work of respected garden designer Penelope Hobhouse.
Once an overgrown patch, the Upper Walled Garden’s new layout is the work of respected garden designer Penelope Hobhouse.
 ??  ?? The archway of Aberglasne­y’s Yew Tunnel is gradually being restored with a programme of cutting back the 250-yearold trees.
The archway of Aberglasne­y’s Yew Tunnel is gradually being restored with a programme of cutting back the 250-yearold trees.
 ??  ?? Aberglasne­y’s head gardener, Joseph Atkin, combines traditiona­l methods with experiment­al planting.
Aberglasne­y’s head gardener, Joseph Atkin, combines traditiona­l methods with experiment­al planting.

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