Living Etc

FABRIC TRENDS

Whimsical, expressive and uplifting – the latest looks show how to be stylishly striking

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COOL BLUE

Our love affair with blue shows no sign of abating, and its power to create a calm interior knows no bounds. Its latest incarnatio­n is graphic and sleek with sharp, geometric patterns that repeat in silky textures – this year’s blue is cool, collected and contempora­ry.

While blue can overwhelm a space, using a fabric that features several shades allows for greater choice when picking accessorie­s. In Tabala (right), £136.50m, Black Edition, the different tones combine with off-white and grey, mimicking the variations of the sea as light reflects its hues. For a smaller splash of blue that works beautifull­y in a neutral space, the strikingly modern Cosmopolit­e in Teal (left), £67.10m, Camengo, used on this chair, finds the right balance. ‘This fabric is a wonderful jacquard with an extremely soft finish – the satin is particular­ly dense and combines deep colours, while the undulating and rounded lines are in keeping with current trends,’ says Emilie Senechal, head of design for Camengo.

EMBROIDERE­D BEAUTIES

Once considered old fashioned, embroidere­d textiles are back in a big way: inspired by fine art and created by boldfaced fashion designers, recent releases are downright joyous and delightful­ly decorative. The three-dimensiona­l quality of these fine fabrics adds luxurious layers to home interiors, especially when used as curtains – the raised threads catch the light, enhancing each subtle stitch. You’ll see this roar into action across Faune et Flore (left), £540 a panel, by Louis Barthélemy (who has designed scarves for Dior and shoes for Louboutin) as part of his lively Egyptian-inspired fabrics and wallpapers – shimmering with animals and foliage – for Pierre Frey. Leaning into luxuriant motifs, the fluid embroidery of Rousseau (above), £108m, mimics paint strokes. ‘Inspired by the lush jungle foliage paintings of Henri Rousseau, this atmospheri­c design combines densely patterned layered leaves in detailed stitchwork with rich jewel-like tones to create a dramatic play of light and shade,’

says Sarah Macgregor, design director at Jane Churchill.

ABSTRACT FORMS

Irregular, organic shapes inspired by strong silhouette­s and topography are cropping up all over. Often rendered in a full spectrum of brown, terracotta and off-white, these patterns work beautifull­y with raw wood furniture and textural upholstery. See Larsen’s Baya (right), £135m, which features bold wiggly shapes inspired by ‘the natural landscape seen from the sky’, according to design director Béatrice Bostvironn­ois. The trend also takes shape in Atelier Sud (above), £116.80m, Casamance – its blocky pattern enhanced by brush strokes explores raw and

gestural forms inspired by the crafts of artisanal makers.

EXTRA BOLD STRIPES

When we say stripes, it may bring up thoughts of Breton shirts, seaside deckchairs and circus tents. But the print is making big waves in interiors where the current stripe is large-scale and confident – it’s so loud, we dare say it’s a neutral. Pleasingly adaptable, this pattern works just as well as a curtain with a small-scale floral wallpaper as it does upholstere­d onto modern furniture. Changing its stripes with ease, Madeaux has introduced Claudette (above), £150m, which is available in five colours. What makes it so versatile? ‘It has a timeless appeal within interiors, bringing a sense of structure and a graphic edge to more whimsical florals and botanicals, as well as pairing perfectly with other geometric designs,’ says the fabric house’s founder, Richard Smith. Taking the trend a step further, interior decorator Ben Pentreath has produced a collection of houndstoot­h, check and striped woven fabrics and throws with Scotland’s Johnstons of Elgin. ‘The hardest part of the entire process has been limiting our choices to just weaves, so infinite

were the potential variations and possibilit­ies,’ says Ben.

Refer to your wardrobe to get an insight into the patterns you’re most drawn to. If you have a lot of floaty floral dresses, you may gravitate towards flower or animal prints, whereas those with a more monochroma­tic wardrobe might favour bold stripes. As it’s always best to try before you buy, order samples of the patterns that speak to you and look at them in your home at different times of day. This will help you visualise adding them to the space on a larger scale.

Avoid using similar size patterns. I personally prefer a few large-scale prints as a dominant pattern, combining them with medium or smaller scale patterns for accent pieces. I am a big fan of maximalism but in this case, less can be more.

Different patterns with different colours can risk feeling chaotic and overwhelmi­ng, so stick to a colour scheme within the same tonal family or colour palette. If you want more colour, accent with bolder shades but make sure to use only 10% of this bold colour in your scheme.

Always order samples! It’s a small and cost-effective way of playing with patterns. Once you make your decision you can still use the samples for smaller art projects – or even as a coaster on your bedside table. With the world going through an intense period of change, more of us are clashing patterns and mixing objects from different cultures and periods to reflect our own individual styles. We’re learning that there really are no limits – be confident and own it!

You can save money and be more sustainabl­e by opting for reupholste­ry. A patterned fabric goes a long way in changing a piece of furniture or the scale of an entire room, often with just a few metres. I was recently working on a project on a Greek island where we had limited access to importing furniture – we found some elegant grey bedroom benches and upholstere­d them in our colourful designs. It transforme­d the whole style of the house from mainstream to spectacula­r.

If maximalism’s not for you, then don’t do it! You can still use pattern in a more calm or simplistic design scheme and incorporat­e one or two patterned pieces as a highlight. If you do want to explore your inner maximalist, take a look at magazines and social media feeds or ask a profession­al interior designer for advice. It’s about finding the right patterns that work for you.

TEXTILE DESIGNER EVA SONAIKE TELLS US WHY IT’S TIME TO EMBRACE PATTERN – AND ADVISES ON HOW FABRIC CAN INJECT COLOUR AND ATMOSPHERE IN THE HOME COLOURFUL DESIGNS CAN TRANSFORM THE WHOLE STYLE OF A HOUSE FROM MAINSTREAM TO SPECTACULA­R

 ?? ?? Chair in Cosmopolit­e in Teal, £67.10m, Camengo. For a similar armchair try The Conran Shop
Chair in Cosmopolit­e in Teal, £67.10m, Camengo. For a similar armchair try The Conran Shop
 ?? ?? Curtain in Tabala, £136.50m, Black Edition. For a similar chair, try Design Vintage
Curtain in Tabala, £136.50m, Black Edition. For a similar chair, try Design Vintage
 ?? ?? Curtain in Faune et Flore, £540 a panel, by Louis Barthélemy for Pierre Frey.
For a similar table lamp, try Julian Chichester
Curtain in Faune et Flore, £540 a panel, by Louis Barthélemy for Pierre Frey. For a similar table lamp, try Julian Chichester
 ?? ?? Curtain in Rousseau, £108m, Jane Churchill. Vase, The Conran Shop. Table, Galvin Brothers. Rug, A Rum Fellow
Curtain in Rousseau, £108m, Jane Churchill. Vase, The Conran Shop. Table, Galvin Brothers. Rug, A Rum Fellow
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 ?? ?? Curtains in Atelier Sud, £116.80m, Casamance
Curtains in Atelier Sud, £116.80m, Casamance
 ?? ?? Curtain in Baya by Larsen. Table, Galvin Brothers. Chair, Skandium. Sculptures, Willer Gallery, Scott Vandervoor­t and Fiona Mcdonald
Curtain in Baya by Larsen. Table, Galvin Brothers. Chair, Skandium. Sculptures, Willer Gallery, Scott Vandervoor­t and Fiona Mcdonald
 ?? ?? Curtains in Claudette, Madeaux
Curtains in Claudette, Madeaux
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