MACHINE COLUMN

MAKE THE MOST OF TONE AND SHADE WITH COLOURFUL VARIEGATED THREAD, WHETHER YOU’RE EMBROIDERING, QUILTING OR JUST TRYING OUT NEW TECHNIQUES

Discover how to make the most of variegated threads using your machine

Using variegated thread is a fantastic way to add colour and depth to even the simplest of makes. As a general definition, ‘variegated’ is the name given to any thread with variations of colour running through it.

It’s a popular choice among dressmakers, quilters and embroiderers alike and as such, almost all thread manufacturers offer a range of variegated threads for lots of different applications. Making sure you choose the right one for your project is key to getting great results – so keep a few things in mind before you buy.

Firstly, you’ll need to consider what you’re making. Variegated threads look fantastic when used for quilting, and make it easy to match your thread colour to several of the fabrics used in your project without swapping your reels constantly. Equally, they add a wonderful ombré effect to machine embroidery makes.

You’ll also need to think about weight and fibre content. Almost all threads mention a number in their name or description – for example, Gütermann

30, or Aurifil 40 – this is the weight, and tells you how thick the thread is. The lower the weight, the thicker the thread. For example, a 30 weight thread is much thicker than a 100 weight. This will alter how the thread behaves when you use it, so make sure to match it to your project carefully. The material your thread is made from will also have an affect on how it can be used – for example, polyester tends to stretch more than cotton or silk. Variegated threads sometimes have a metallic element too, which will also change the way the thread behaves.

Next, you’ll need to consider your colours. Generally, variegated threads fall into two types – those with tone-on-tone gradients that cycle through different shades of the same colour family, and those with bold, contrasting colours that sit in a repeating pattern. The latter is better for projects in which you want the stitches to pop and stand out from the fabric, whereas the former is ideal for when you want a more delicate, organic look.

Finally, matching your bobbin to your variegated thread can be tricky. I’ve learnt to wind a bobbin from the thread, then wind that first bobbin back onto a second one. Match the colours of the bobbin and upper thread, and the two should continue to pair up throughout your project.