Manchester Evening News

Nolan finally delivers his spy movie opus (and it's about time too)

Visionary director’s delayed espionage thriller sees its characters flit from era to era in mind-bending sci-fi spectacula­r

- BY CHRISTOPHE­R HUNNEYSETT

AFTER endless delays and continuous doubt over it being hitting cinemas this side of Christmas, Christophe­r Nolan’s latest sci-fi juggernaut is finally here and, boy, was it worth the wait.

Star of BlacKkKlan­sman (and son of Denzel) John David Washington is fantastic as the film’s unnamed protagonis­t, a CIA agent who finds himself caught up in a world of ruthless arms dealers, hitmen and assorted criminals as he navigates a complex time-bending plot against humanity.

In order to halt the start of the Third World War, our hero decides to team up with the enigmatic CIA operative Neil – Robert Pattinson in his best role yet – and Kat (Elizabeth Debicki), the ex-wife of criminal mastermind Andrei Sator (played by Sir Kenneth Branagh).

Nolan mixes classic spy tropes and clever modern sci-fi to give us a handsomely made film packed with twists, turns and stunning action set pieces. Those familiar with his other complicate­d narratives, like Inception or even Interstell­ar, will be relieved to know that Tenet is in the same vein.

While the plot here might require more concentrat­ion, there is still much to enjoy even if you find yourself baffled by the highly complex premise.

Composer Ludwig Göransson, who has taken the place of Nolan’s longtime musical collaborat­or Hans Zimmer, provides an oddly, but appropriat­ely Zimmeresqu­e score.

Meanwhile, Debicki and Washington both perform magnificen­tly – she as the femme fatale willing to do anything to be free again and he as the man who might just hold humanity’s fate in his hands.

For me, however, it’s Pattinson who truly nails his performanc­e as Neil – impressive and beautifull­y measured.

Tenet plays around with ideas of space and time, but at its heart is an oddly traditiona­l spy thriller.

The result is admittedly uneven, but it’s by far Nolan’s most ambitious film to date. Just don’t think too much about it and enjoy the ride.

 ??  ?? It’s a blast: Action sequences are delivered with Nolan’s usual technical flair, but the thrills are married to a serpentine plot
It’s a blast: Action sequences are delivered with Nolan’s usual technical flair, but the thrills are married to a serpentine plot

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