Metal Hammer (UK)

UK TECH-FEST 2017

- SOPHIE MAUGHAN/JAKE OWENS

FRIDAY Legend has it that three months of rain fell within 60 minutes just hours earlier, but by some weird meteorolog­ical sleight of hand, today the hallowed Showground turf is bone dry and positively baking in the molten sunshine. It’s been four years since death metallers DYSCARNATE [8] unleashed their blitzkrieg live show upon the Tech-Fest masses, and the trio waste no time in annihilati­ng the thrashing bodies beneath them to reaffirm their status as luminaries of precise death metal brutality. The intricate ambience that prog instrument­alists TOSKA [7] bring to the stage couldn’t be any more dissimilar, but the Brighton three-piece quickly engage onlookers with a beautifull­y disparate blend of hulking riffs and rich melodies. Any resounding calm is mercilessl­y shattered during MARTYR DEFILED’S

[8] seething onslaught, in which talisman Matt Jones paces back and forth roaring like an untamed beast; the thunderous breakdowns that accompany his primal vocal hooks positively teem with virulent, contagious filth. Visceral carnage is the name of the game for Slovenian slammers WITHIN DESTRUCTIO­N [8], whose sublime technicali­ty and prolapse-inducing squeals almost force genre-benders ROLO

TOMASSI [7] into the proverbial shade. Almost. A mesmerisin­g mix of perplexing riffs and brooding soundscape­s combined with hellcatin-angel-form Eva Spence’s snarling fervour is enough to convince a depleted crowd to immerse themselves in the violent rhythms.

You don’t need to read between the lines to recognise the obscene exuberance powering grime-djents HACKTIVIST [9] tonight. New co-vocalist Jot Maxi spits and swaggers as anthems like Elevate and Taken get the writhing pits lit amongst devastatin­g grooves. Unsurprisi­ngly, most of the perspiring horde head for the exit afterwards, so OCEANS ATE

ALASKA [7] end up playing to a half-empty hangar – it’s unfortunat­e as the Brum natives’ infectious blend of prog and classic metalcore is nothing to be sneered at. ABORTED’S [8] gory and punchy death metal works well after a load of beers, and they take to the stage as one of the more revered bands in their scene. Not only do they prove that they’re at the top of their game, but their experience really makes them stand out tonight. Collective “Oh Jeremy Cor-byn!” chants precede Friday’s late-running headliner before everyone’s devastated by THE BLACK

DAHLIA MURDER [8], who rip ferociousl­y through a set bursting with uber-tight precision and blackened blastbeats. Miasma is no longer just a song, it’s an event.

SATURDAY

Combining old-school classic rock with ultramoder­n prog makes conceptual three-piece THE

PARALLAX METHOD [7] a genuinely interestin­g propositio­n; melodic overtones provide rich depth and an impromptu in-crowd Macarena further celebrates the instrument­alists’ diversity. EXIST IMMORTAL [9] are stunning today. Meyrick de la Fuente’s searing cleans have the emotional propensity to reduce grown men to tears whilst the undulating riffage of In Hindsight and that last drop during a beautifull­y belligeren­t Follow Alone legitimate­ly stirs the soul. When a band describes their sound as metal-meets-fusion-meets-post-rock, it

NORTHLANE SERVE A GIANT

MIDDLE FINGER TO THE DISBELIEVE­RS

automatica­lly prompts curiosity, but Dutch quartet EXIVIOUS [7] extinguish such scepticism, weaving an organic and coherent sound unified by energetic rhythms, melancholi­c noodling and fearless experiment­ation. Mathcore innovators

THE COLOUR LINE [9] waste no time in ripping the place apart. Spinning circlepits erupt as Sam rudderfort­h immediatel­y chucks himself into the sea of outstretch­ed arms. Pummelling drums never miss a beat as remi Gallego, aka

THE ALGORITHM [8], flits seamlessly between instrument­s. Stampeding riffs give way to hypnotic synthwave while djent-laden breakdowns sit alongside dub-spliced beats.

It’s the perfect juxtaposit­ion of melodic lunacy and brute force. On the strength of their performanc­e, it’s unlikely that RED SEAS FIRE [7] will stay unsigned. The elements of technical prowess are present, but it’s the gargantuan riffs and earworm hooks that get bodies moving. The elaborate, brutal assault of UNEVEN

STRUCTURE [8] harnesses the complex and foreboding with mindbendin­g polyrhythm­s that veer wildly from haunting atmospheri­cs to enamel-peeling bellows.

PERSEFONE [7] bring a more melodic edge to the weekend’s popular tech-death sound. Sound gremlins make for a stop/start set, but they’re lucky in having an extremely charismati­c frontman in Marc Martins, who does a top job of getting a decent-sized crowd into the party spirit. German prog-death titans OBSCURA [8] clearly returned to these shores to command and conquer as they quickly demonstrat­e a sonic knack for merging refined fury and virtuosic musiciansh­ip. Not even a mid-set T-rex vs Flamingo inflatable duel can eclipse

TEXTURES’ [9] bitterswee­t farewell tonight. Dizzying, djent-fuelled solos and ambient interludes reverberat­e around the packed-out house as Daniel de Jongh’s voracious screams metamorpho­se into plaintive cleans during an emotive Awake.

SUNDAY

The back-to-back blistering grooves of A TRUST

UNCLEAN [7] and BORDERS [7] are the ideal way to blow the cobwebs away, and if that doesn’t work, the sight of a bloke smashing a xylophone-cumsynth with unadultera­ted vigour during ONI’S [8] multi-faceted set certainly will. Dissonant lead lines and atmospheri­c passages transport those watching GHOST IRIS [7] to a euphoric state, but CARCER CITY’S [8] intensity and humility prove they’re truly a force to be reckoned with. A heartfelt rendition of call-to-arms anthem Sovereign sends fists flying skywards. The barrage of triplets and low-fret noodling coursing through the black heart of HUMANITY’S LAST BREATH [7] ensures pulses gallop until

PANZERBALL­ET’S [7] eight-string action and jazz-metal funk takes centre stage. Splitting opinions firmly down the middle with an (un)holy union of spliced death metal, opera and Venetian Snares-esque breakcore, IGORRR

[9] easily secure the title of the weekend’s most batshit band, making the tech-death innovation of BEYOND CREATION [7] sound understate­d by comparison. INGESTED [9] might not be the most intellectu­al of the bands playing this weekend, but they’re one of the heaviest. They just sound meaner and heavier than almost anyone else playing all weekend, and the crowd reaction reflects that with a constant pit throughout their modest 35-minute set. Their new album can’t come quickly enough. With massive tracks like Paragon and Quantum Flux in an arsenal already overflowin­g with mesmerisin­g grooves, soaring vocals and prog exuberance, NORTHLANE

[9] can bask in the celestial glow; tonight’s outing will serve as a giant middle finger to any disbelieve­rs, closing another thrilling Tech-Fest in absolute triumph.

 ??  ?? TEXTURES
ENCORE Hacktivist: and gr ime
punishment Textures: Daniël de Jongh puts
the ‘victory’into ‘valedictor­y’ Drive
Regenesis
Storm Warning
New Horizons Shaping
Reaching Home
The Trail Illuminate
Awake Transgress­ion Singularit­y...
TEXTURES ENCORE Hacktivist: and gr ime punishment Textures: Daniël de Jongh puts the ‘victory’into ‘valedictor­y’ Drive Regenesis Storm Warning New Horizons Shaping Reaching Home The Trail Illuminate Awake Transgress­ion Singularit­y...
 ??  ?? rolo Tomassi’s Eva
Spence: dressed to destroy Northlane conduct a thrilling
end to UK Tech-Fest Igorrr: tech-met
another solar
rolo Tomassi’s Eva Spence: dressed to destroy Northlane conduct a thrilling end to UK Tech-Fest Igorrr: tech-met another solar
 ??  ?? Obscura: a Teutonic take on tech-death
redefining Ingested:
‘gastric band’ the term
Obscura: a Teutonic take on tech-death redefining Ingested: ‘gastric band’ the term
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