Metal Hammer (UK)

MONKEY MAGIC

Two undergroun­d icons remember Iron Monkey v1.0

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DAVE HUNT ANAAL NATHAKH/ MISTRESS/BENEDICTIO­N

“Iron Monkey didn’t like you. That was the first, and enduring, impression I got. They didn’t want to communicat­e anything to you. They didn’t want to make you feel part of something. They didn’t want to impress you. They didn’t even particular­ly seem to want you to listen to their music. What they were intent on was dredging up a rumbling storm of kinetic riffs and nihilistic resentment. Not because it showed some kind of semi-poetic, bruised pride of the downtrodde­n, but just because it was fucking horrible. And that was the point. JUST NEGATIVE. FUCK OFF. It was brilliant.”

ANDY SNEAP

PRODUCER/HELL

“My strongest memory of working with Iron Monkey is that we got a really great low end on the first record! I remember playing it to Robb Flynn before I worked with Machine Head and it was a talking point during the sessions for The More Things Change. I was a bit oblivious to the whole scene, but I’d worked with some hardcore bands like Hard To Swallow [featuring Jim Rushby], and the scene was really incestuous back then, so that’s how Iron Monkey ended up coming to me. They paid me £169 for two days, the guys played together live, Johnny only did one or two takes after and that was it, job done! Johnny was a nice fella. He used to get me cheap deals on trainers from the skate shop he used to work at! As menacing as he sounded, he always had a smile on his face.”

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