Metal Hammer (UK)

BLASTS FROM THE PAST

Alan Averill on three lessons he’s learned from history

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THE FOLLY OF WAR

“My grandparen­ts essentiall­y brought me up because my parents were both working full-time. My grandfathe­r was in the RAF in WWII and my grandmothe­r was in the WRENS. The life lesson that my grandfathe­r taught me was that the Germans didn’t hate the soldiers they were fighting. They understood that they were all doing the same thing. A recurring theme in Primordial is that sense of anonymous loss, that statistica­l loss of young men sent to their deaths.”

THE BUTTERFLY EFFECT

“Last year I went to the killing fields in Cambodia, and one thing I found fascinatin­g was that Pol Pot was educated in the Sorbonne in Paris. He was part of the French Marxist intelligen­tsia and wasn’t working class at all. He returned to Cambodia and was courting this woman who then went off with a quite well-known Cambodian singer. Heartbroke­n, he went out into the forest and plotted his revenge, and in four years, nearly four million people died. So I was struck by that butterfly effect idea; man has heart broken by It Girl in 1970s Cambodia and plots revenge, which in turn leads to the death of millions of people.”

NATIONAL PRIDE

“There once was a time when I would definitely have hung an Irish flag over the speakers in every country, but by my late 20s I really couldn’t stand behind everything that the flag represents. All the child abuse scandals were coming out in the 90s, so it seemed to represent an element of institutio­nal abuse that I couldn’t support. That debate changed my views on some of the chest-beating, flag-waving elements of nationalis­m that I may have subscribed to 20 or so years ago. There are so many grey areas and complexiti­es.”

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