Metal Hammer (UK)

Pestilence

HADEON

- DOM LAWSON

HAMMERHEAR­T DUTCH DESTROYERS KEEP IT SIMPLE AND WEIRD

WHEN PESTILENCE RELEASED their fourth album, Spheres, in May 1993, the death metal world responded, almost in unison, with a snort of derision. It seems ridiculous now that anyone could object to what was a wonderfull­y imaginativ­e attempt to push extreme music forward, jazz inflection­s and all, but back then mainman Patrick Mameli was so far ahead of the game that he had to concede that the world wasn’t ready and Pestilence split in 1994. These days, of course, the band are back to playing something that strongly resembles the muscular, groove-driven brutality that made earlier records like Testimony Of The Ancients such essential listening. Meanwhile, the death metal that Patrick did so much to expand has travelled into realms of warped surrealism and avant-garde complexity that make Spheres sound like Slowly We Rot. It’s a funny old game.

The fourth Pestilence album since Patrick revived his band in 2008, Hadeon sounds as timely and subtly prescient as you might expect from such a creatively restless figure. This is polished and punchy modern death metal, but still underpinne­d by the Dutchman’s instinctiv­e knack for textural and melodic disruption. Songs like Manifestat­ions and Electro Magnetic exhibit plenty of old-school grit and spiky melodic motifs that reek of the early 90s, but there’s always something dissonant, disorienta­ting or otherworld­ly lurking in the sonic background. As with 2013’s Obsideo album, the production here is crisp and precise, but there’s plenty of dirt under Patrick and new guitarist Calin Paraschiv’s fingernail­s as they spiral and scythe across a pinpoint rhythmic bedrock. Anyone hoping for some extravagan­t progressiv­e flourishes may be disappoint­ed to find that Hadeo boasts 11 sharp and succinct three-minute songs that are primarily riff-driven and devoid of peripheral fat. Yes, the days when Pestilence were miles ahead of the game are long gone, but they still sound unique, and from a much cooler parallel dimension than this one.

FOR FANS OF: MORBID ANGEL, FALLUJAH, VEKTOR

 ??  ?? Pestilence: polished, punchy
and subtly prescient
Pestilence: polished, punchy and subtly prescient
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