Metal Hammer (UK)

THRASH HITS:

SIDE THREE (’90-’99)

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MEGADETH HOLY WARS… THE PUNISHMENT DUE (RUST IN PEACE, 1990)

A razor-sharp epic about religious conflict dovetails into a righteous stomp about a Marvel comic anti-hero, as Megadeth set the bar high for 90s thrash.

SLAYER WAR ENSEMBLE (SEASONS IN THE ABYSS, 1990)

Released just as the dogs of war were unleashed in the Persian Gulf, for many troops this song became the conflict’s theme tune.

KREATOR PEOPLE OF THE LIE (COMA OF SOULS, 1990)

Punchy twin guitars, spiky death-punk riffs, a gorgeous solo, an infectious chorus and Mille Petrozza taking on neo-Nazis with his most hateful snarl = Kreative perfection.

HEATHEN HYPNOTIZED (VICTIMS OF DECEPTION, 1991)

The Bay Area’s most underrated band, Heathen were ready for glory with this labyrinthi­ne crunch epic. Alas, the 90s had other ideas.

PANTERA FUCKING HOSTILE (VULGAR DISPLAY OF POWER, 1992)

These game-changers weren’t thrash in the 80s sense, but the OTT energy and attitude of Fucking Hostile was total manic thrash to the max.

SODOM THE CRIPPLER (TAPPING THE VEIN, 1992)

Prepostero­usly brutal, The Crippler is as heavy as thrash gets, with its crazed bombardmen­t of sheet-metal riffing, dentist-drill solos and sadistic lyrics.

MACHINE HEAD BLOOD FOR BLOOD (BURN MY EYES, 1994)

Other songs on this album may have been more iconic, but when that madly Slayerized riff kicked in, it left absolutely no doubt that Bay Area veteran robb Flynn could still cut the thrash mustard. Machine Fucking Head, indeed.

WITCHERY THE REAPER (RESTLESS & DEAD, 1998)

Thrash through a black metal prism, ravening revivalist­s Witchery hit the sweet spot with this beautifull­y simple, insanely catchy, propulsive Swedish classic.

THE HAUNTED HATE SONG (THE HAUNTED, 1998)

Witchery’s Patrik Jensen again on ‘riff guitar’, this time nailing a more hardcore-infused strain of thrash on this homicidall­y aggro, vein-popping debut opener.

TESTAMENT DOWN FOR LIFE (THE GATHERING, 1999)

Testament’s all-star line-up fused the best of thrash past with millennial levels of renewal and excitement, the whole LP a thrilling end to a troublesom­e decade.

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