Metal Hammer (UK)

TECH-DEATH MASTERS COMPLETE THEIR FOUR-ALBUM OPUS Obscura

- CONNIE GORDON

2016’s Arkóasis was a good album, but something was missing. It seemed unfocused, like the band were taking for granted the wheel they reinvented with 2009’s Cosmogenes­is and 2011’s Omnivium. As the final piece to a massive four-album concept, Diluvium – which refers to an oceanic flood – bursts out like air from the lungs of someone breaking the surface after panicky underwater submergenc­e. Clandestin­e Stars sounds like Obscura playing for their lives; the crisp, staccato guitars and fretless bass lurch are embraced by erudite blasts and Steffen Kummerer’s gravitatio­n between death metal harshness and vocoder kitsch. Over the next 10 tracks, Diluvium hardly lets up, but never devolves into a rudimental display. The epic sprawl of The Conjuratio­n, the downcast An Epilogue To Infinity and Emergent Evolution’s precision bubble with aggression and technique, but more importantl­y possess ear-hook choruses, pointed riffs, infectious harmonic layers and exceptiona­lly phrased leads.

FOR FANS OF: CYNIC, BEYOND CREATION, ALKALOID

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